Frankenstein

Modern update of the famous story, here set in LA. Instead of a nuts and bolts style monster, such as Karloff, we have a pretty boy who is fond of saying the word "Mum". We get the young girl thrown into the lake, plus the befriending by a blind guy (well played by Tony Tod, who generously pays for Adam - I mean the monster - to have his wicked way with a hooker!). Plenty of gore. And production values are all good enough too. Now I'm all in favour of reimagening classic stories but I felt that this one didn't quite work and if I want to see a Frankenstein movie then give me Universal or Hammer instead.

I haven't read what people are saying about this movie. I can just say that it is a 100% cruel story. It is cruel to see how everyone turns out to be a victim: the Monster, his victims and his "mother". Shocking images throughout guarantee that this movie fall into the horror category, but it is certainly not a good horror movie. In fact, it can be considered "effective" only due to the heavy use of gore and violence, but it lacks both character and story development. Also, I have some problems with the adaptation itself. For me, the monster looks more like Dorian Gray rather than Frankenstein. Similarly, the script was rather weak, though I really enjoyed the performances of Carrie-Anne Moss and Xavier Samuel. The bottom line: This movie will be good for the ones who like to suffer, but for me it is a lot of clichéd stories brought together by a very underused cast.

6.75 of 10. Frankenstein zombie or Frankenstein clone? It's definitely not Frankenstein robot. Nonetheless, it feels like a horror story inspired by Philip K. Dick's Do Androids Dream of Electric Sheep? - or at least the the question, not the more developed Blade Runner adaptation.

It's better than any of the film/TV versions of Frankenstein. Rather than trying to stay literal to a story we know is, at least technically, nonsense, it pursues a more realistic though still at the moment purely sci-fi angle.

What makes the film engaging beyond the slightly revised plot setup is the pacing and the thoughtful adaptation and fitting in of the book characters that interact with "Monster". What makes it less engaging is the narration. By the end it feels like a setup for either a TV series or a sequel or 2 rather than a complete story.

Bernard Rose has successfully translated Mary Shelley's original novel by turning it into a Cronenbergian body horror tragedy.

The performances are stellar with Xavier Samuel making a heartbreaking Monster and Tony Todd stealing the show as a blind musician.

The direction is superb and horror fans will be pleased by the gruesome practical effects. If there are any weak points here, it would be the extremely brisk pacing and a few odd editing decision.

The ending is also frustratingly abrupt. Beyond that, it is nothing less than a triumph of genre filmmaking and the sort of thing I wish to see more of from the horror world.

This is a very interesting take on the Frankenstein tale. We get to see the Monster basically take his first breath and become born into this world. He slowly becomes accustomed to being alive when suddenly he's betrayed by his creator and thus sets about on a rampage. This film illustrates it fairly well and I feel like the character of Adam/Monster is fairly sympathetic. He lacks a vocabulary like in the novel and in the 1994 adaptation, but it's far more realistic for the vocalization capacity of a newly formed creature. Bernard Rose does a fairly good job directing and the pastoral dream sequences are nice in particular. It has a nice pace and good use of practical special effects. The Monster's transformation was thoroughly engaging and I feel if anyone is a fan of the horror genre that they should at least do themselves a favor and see this interpretation.