A group of Russian soldiers fight to hold a strategic building in their devastated city against a ruthless German army, and in the process become deeply connected to two Russian women who have been living there.
An unfulfilled sergeant, is during WW2, leading a small Soviet anti aircraft outpost with only women soldiers under his command. German special forces are spottet in the woods and the ... See full summary »
In August, 1944, Lieutenant Egorov and his battalion have a very straight forward order: to ensure passage of soviet soldiers through the bridge near a deserted monastery.. However, inside ... See full summary »
The breakout of the war shatters the world of a young student, Lyudmila Pavlichenko, forcing her to enlist in the army in 1941. The maiden turns out to be a natural-born sniper, her impressive skill and prowess make her stand out among men and women alike. Seeing Pavlichenko as a tangible threat, the German High Command gives orders to eliminate the girl whatever the cost. In the meanwhile, Lyudmila meets a man and falls in love. War fades into the background... Soon, however, another misfortune befalls Lyudmila leaving the man she loves on the brink of death and herself seriously wounded. The girl is pulled out of combat and later goes to the United States with a publicity visit. Eleanor Roosevelt welcomes Lyudmila in the White House and the two women soon become close. It won't be long before Pavlichenko stands before an audience in Chicago pressing for a second front. Will her words have the capacity to change the course of war?Written by
First of all the movie is misnamed. It is no more about the battle for Sevastopol than Dr. Zhivago was about the Russian Revolution. A better title might have been, "Lyudmila's War." This was an excellent character study of the battle between the inhumanity of war and the humanity of the people who are forced to wage it. I found the film to be very well done and once into it, had to see it through. The war scenes were vivid and believable, and the characters were played realistically. One could see the changes that overcame the heroine, Lyudmila Pavlichenko, who was initially tepid about killing but warmed to the task--to the point of actually relishing in it. She reveled in competing with men--even in an environment that was nominally committed to gender equality. We witnessed a transformation from a studious girl, who was never appreciated by her stern military father, to a killing machine (who refused to leave the battlefield, even when seriously wounded)--with snatches of the frailties of emerging womanhood. It is a complex tale, one that should be watched at least twice to realize its full impact.
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