My Golden Days

It is one of the better told love stories I've seen on the screen.

It's one of those movies that's about a relationship running it's course from beginning to end. Very similar to movies like 9 Songs and Love 3D, but no where near as sexually graphic.

Maybe because the movie is about a now forty five year old Paul reminiscing about when he was nineteen and had an on again off again relationship with sixteen year old, Ester. As the film title suggest, Paul looks back with found (and little obsessive) memories of her.

I thought the main characters as well as the supporting cast were people really interesting to look at. though the movie has a nice look to it that adds to the feel, I never fully embraced the period piece this film is, and surprising the Hip hop score did not help one bit.

But overall I like it a lot.

"My Golden Days" (2015 release from France; 123 min.; original title "Trois Souvenirs De Ma Jeunesse" or "Three Memories from My Childhood") brings (further) stories from Paul Dedalus. As the movie opens, we see Paul and his Russian (?) girlfriend lament the fact that Paul is returning to France after 8 years away. It makes him think back to his childhood, and we flash back to Paul as an 11 yr. old boy, fighting with his (mentally deranged) mother. Back to the current day, Paul is being stopped by French officials at the airport for "passport problems". At this point we are 10-15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: when I wrote earlier that this movie brings the further stories of Paul, it is because writer-director Arnaud Desplechin made a previous film about this character, 1996's "My Sex Life... or How I Got into an Argument", with the role of Paul played by Mathieu Amalric, who reprises the role almost 20 years later. I admit I haven't seen the 1996 film, but that didn't stop me from checking this out, as I think Amalric is one of France's finer actors of this generation (check him also out in the recent "La Chambre Bleue", "The Grand Budapest Hotel", etc.). "My Golden Days" turns out to be a somewhat nostalgic look back to the 'good ol' days'. Of the "three souvenirs" referenced in the original French title, by far the longest amount of time is spent on Pauls' relationship with Esthel during Paul's university days, and set somewhere in the late 1980s. I grew up in nearby Belgium just a few years earlier (doing uni in the early 80s), and I can attest that the director captures the mood of those university years perfectly. It's probably the reason why this movie resonated with me so well, but I also want to emphasize that if you didn't grow up in Europe during those years, you'll still 'get it'. Newcomer Lou Roy-Lecollinet, in her first role on the big screen as Esthel, is simply outstanding, and surely we have not see the last of her. Last but not least, there is a bunch of great music featured in the film, both as to song placements and the original score, the latter courtesy of acclaimed French composer Grégoire Hetzel ("Incendies", "Intrusions"). A quick look around tells me that the score is available on Amazon France.

"My Golden Days" premiered at the 2015 Cannes Film Festival, to general critical acclaim. Not sure why it's take so long to play in US theaters, but this past weekend, the movie opened without any pre-release buzz or advertising at my local art-house theater here in Cincinnati, and I know what that usually means (a one week run). The Wednesday evening screening where I saw this at was attended okay but not great. That's a darn shame. Hopefully this is a movie that can find a wider audience when the DVD finally comes out. If you are in the mood for a nostalgic yet effective foreign film that looks at what it was like growing up in France in the 80s, you cannot go wrong with this. "Trois Souvenirs de Ma Jeunesse" is HIGHLY RECOMMENDED!

In this film Esther and Paul write letters to each other. They often speak their mind of others, and always profess their feelings for each other. Here are my two favorite correspondences.

"I can offer you only my lightness. I admire your every smile, your every rebuff. I realize my offer is flimsy. You make me laugh. Furious, unpleasant, exquisite: you always make me laugh. I love you only with lightness, yet I'm so heavy. Gloomy, as you all said at the party. You were right. You were right. I don't want you to wait. Don't count on me. My life is too austere for that. Paul"

"Hey Paul. Don't worry. Your remorse gets in your way. I'm simpler. Simply, I'm happy when I see you."

Earlier in the movie:

"Esther, you exist so much. Like a mountain. My existence, the world around me, seems aquiver. So I'm reassured. I don't care whether you want me. Your existence proves I'm not stuck in a dream. In you, at your feet, I place my faith."

The main impression I gained about 'My Golden Days' is a bit more care could have been taken in casting the three actors who play the lead character - at least far as looks go. When we first meet him, Paul Dédalus, a French diplomat, is played by Mathieu Amalric, with his distinctive, 'lived-in' face. We then see him as a child played by Antoine Bui - who is facially so similar to Amalric they could be related. But as a young man, Paul is played by the handsome Quentin Dolmaire, who looks nothing like Amalric and Bui. If Bui didn't look so similar to Amalric this aberration wouldn't be so noticeable.

But anyway, the story: returning to France after almost a decade abroad, Paul comes to the attention of the intelligence services because someone with the same name and date of birth has been discovered in Australia. As Paul is questioned, we flashback to his childhood living with his lesbian aunt, to an eventful trip to the Soviet Union and to his student life, but most of all we examine his relationship with the captivating Esther, whom he wins over with his pseudo-intellectual gobbledy-gook.

Young Paul is that staple of French cinema, the student who spends too much time thinking. Esther is that other overly-used staple, the unhinged woman. This sort-of prequel to director Arnaud Desplechin's 1996 'My Sex Life... or how I got into an Argument' contains nothing that can't be found in hundreds of other French films. But there's good acting all around; Dolmaire and, as Esther, Lou Roy-Collinet are easy on the eye and their cast of supporting characters interesting. If I have any complaint, it's that I would have liked more - or indeed, any - explanation as to why the child Paul disliked his mother so much, and perhaps more screen time for Amalric - he appears several times in-between the flashbacks of the first third of the film, then suddenly disappears for the rest of it; it's quite noticeable. Where did he go?

"My Golden Days" came out in 2015 as a late-breaking prequel to Desplechin's mid-90s classic "My Sex Life... or How I Got Into an Argument," which may be the best film since "Lucky Jim" about life on the lower rungs of the academic ladder. Once again, Mathieu Amalric plays Paul Dédalus, now returning to France after a decade or so doing ethnographic fieldwork in the former Soviet Union; a farewell tryst with his gorgeous Russian girlfriend (Dinara Drukarova) unleashes a cascade of memories:

In a brief prologue, 10-year-old Paul flees his mentally unstable mother and takes refuge with his great-aunt and her Russian lover. Next, he recounts a daring high-school exploit to an urbane French spook, who wonders why he (and his passport) have doppelgangers in Australia (long story!), and in the longest, most significant episode, he relives an intense love affair with a classmate of his younger sister's, Esther, a clever, soulful, sexy, needy, neurotic young woman (she grows up to be Emmanuelle Devos in "My Sex Life"; here she's played brilliantly by Lou Roy-Lecollinet).

Trigger warning: Paul and Esther communicate in improvised love lyrics (as befits two alumni of the Lycée Baudelaire); Esther's pouty histrionics may evoke bittersweet memories of post-adolescent romance, or may just seem too precious to be endured. Your call!

This final episode starts to drag a bit as Paul soldiers on as an unfunded grad student in Paris, sleeping in hostels, couch surfing and ménage-à-trois-ing it with a congenial older couple while Esther mopes her way through "a stupid college course" and cheats on him repeatedly. Luckily, Desplechin props up his sometimes rambling storyline with ingenious staging and cinematography: When Paul first approaches Esther, he's surrounded by a windblown swirl of fallen leaves, which is echoed in the final scene as he strides into what looks like a blizzard of torn-out pages from a book (they're both "feuilles" in French, I guess; does it mean that this chapter in his life is coming to an end?); hard to put into words but it's a lovely effect.

Finally I should mention the first-rate period soundtrack: The Specials, De La Soul, "Atomic Dog" and Run-D.M.C. It's a remarkable film, though, again, a certain tolerance for post-Truffaut coming-of-age shenanigans is required.