A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he sets out to find his lost family.
Lee Chandler is a brooding, irritable loner who works as a handyman for a Boston apartment block. One damp winter day he gets a call summoning him to his hometown, north of the city. His brother's heart has given out suddenly, and he's been named guardian to his 16-year-old nephew. As if losing his only sibling and doubts about raising a teenager weren't enough, his return to the past re-opens an unspeakable tragedy.Written by
The beginning of the funeral scene shows George's sons although they are not named in the movie. See more »
When Patrick asks Lee for his girlfriend to stay over, the position of the pillow on the bed changes several times between cuts. See more »
You were a tremendous help.
I didn't ask to sit down there.
You can't make small talk like every other grown-up in the world?
You can't talk about boring bullshit for half an hour? "Hey, how about those interest rates?" "Hey, I lost my Triple A card." Like everybody else?
You're a fucking asshole.
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In Australia, the film was originally passed MA-15+ uncut, however the distributors opted to re-edit the audio and cut the length of the film, in order to remove every use of the term 'c-t' and 'motherf--er'. Following these changes the film was later re-classified and the rating was lowered to 'M'. See more »
This movie started like any other drama, the main character has a problem, where the story of the film has a beginning, the main character and history suffer a turn and in the end of the second act, and them is the end of the story (third act of the movie itself). In other words, like any other drama, this film follows the already very used old paradigm of Syd Field for scripts. A story told a thousand times before, the same way a thousand times, only the characters change and nothing else. The same situations, the same problems.
However I must say that the director of the movie at least had the idea of the main character does not learn anything (moral lesson) at the end of the third act. This earned points to the movie for me, at least.
The characters are interesting in most of the part of this film, but only three of them take advantage of the good actors that are in the movie , the characters of Casey Affleck, Lucas Hedges and Michelle Williams. The remaining characters are irrelevant in movie story and they basically do nothing interesting (basically they are filler for this movie).
Casey Affleck is good enough but only shows potential in only one scene with Michelle Williams. There are other scenes that his character underutilized, like the scene in the police, in which Lee tries to commit suicide, this scene fails, because the construction of the character itself until then, there was no indication that this character wanted to kill itself, there is not enough tension until that moment. Michelle Williams is also underutilized in most part of the film (she is annoying, to speak the truth, but she also appears little time on the screen), except that scene with the character of Casey Affleck (In the third act of the story, Randi appears with a baby of its new husband). In which both have a talk about their past and about their separation. In this scene there is a lot of tension, and the drama of the actors is well applied. It's an emotionally amazing and perfectly executed scene.
Lucas Hedges is good enough, not amazing, but good enough for me to sympathize with him, the freezer scene is pretty good, nonetheless. It's a perfectly executed scene to watch and be admired.
But this is the problem of the film for me, taking some scenes (pretty good by the way) where the actors can show their potential, the film is the same thing seen a thousand times before, with the same situations and problems. Nothing new under the sun. If you do not see this movie, you will not miss anything new that you have already seen. It is a good movie, but no classic or masterpiece level of quality.
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