Jong-su bumps into a girl who used to live in the same neighborhood, who asks him to look after her cat while she's on a trip to Africa. When back, she introduces Ben, a mysterious guy she met there, who confesses his secret hobby.
1930s Korea, in the period of Japanese occupation, a new girl (Sookee) is hired as a handmaiden to a Japanese heiress (Hideko) who lives a secluded life on a large countryside estate with her domineering Uncle (Kouzuki). But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.Written by
Tae-ri Kim was a fan of Min-hee Kim's work before they met. She did not know that Min-hee would be playing Hideko during the audition. It was only in a meeting with Park after being chosen, that Park asked who her favorite actor was. Tae-ri answered Min-hee and Park was very delighted. Tae-ri and Min-hee gradually built up their friendship and trust since 2014 during the preparation stage. During Tae-ri's Best New Actress acceptance speech at Buil Film Festival 2016, she dedicated the award to Min-hee whom she ''fell in love with at first sight''. See more »
Mercury is a slow (typically chronic not acute) poison that will kill victims over a period of days not within minutes. Metallic mercury in the tiny amounts presented would not be lethal at all in the circumstances shown. See more »
Sublime cinema - like Hithcock with the extremity of Oldboy and the sexual candour of Blue is the Warmest Colour.
I consider Park Chan-Wook to be among the greats of cinema, alongside Scorsese, Tarantino, Fellini, Truffaut, Coppola, Tarkovsky and Nolan. So I had huge expectations going in, and boy, they were met.
TheHandmaiden is a masterpiece in pretty much every sense. It is visually exquisite, Costumes, production design, cinematography, music, all combine to create a lush vision of Japan-occupied Korea in the 1930s. Park Chan-Wook is a visually meticulous filmmaker and no film so far of his has showcased his knack for visual storytelling better than the Handmaiden. I went into this film totally blind, which I honestly recommend all people doing, because the plot itself unfolds in such a beautifully engineered fashion.
My best description of the film is a Rebecca-like Hitchcockian thriller with the extremity and depravity of films like Oldboy and Battle Royale, and the humanistic sexuality of Blue is the Warmest Colour. All actors are stunning in this film. The two women share an honest, tender romance that is both passionate and moving, with a refreshing candour about the nature of sexuality that is almost never seen in Hollywood productions. The Count is an incredibly charismatic performer who remains appealing despite his many despicable acts.
But as always with a Park Chan-Wook film, the real star is the director himself. The way in which this story is crafted is nothing short of engrossing. The outrageous, depraved, sexy, fascinating plot is crafted through multiple perspectives, dashing across back and forth in time, to masterfully reveal key plot points across a never less than spellbinding two hour run time. Some would say the film is slow, but I felt as though the extended running time worked in the film's favour, in order to build character to the extent that the finale for the film feels momentously epic, a real feat considering the movie showcases only four key characters.
I was utterly engrossed by this beautifully made film.
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