A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Chloë Grace Moretz,
USA in the 1970s. We follow the highly intelligent Jack over a span of 12 years and are introduced to the murders that define Jack's development as a serial killer. We experience the story from Jack's point of view, while he postulates each murder is an artwork in itself. As the inevitable police intervention is drawing nearer, he is taking greater and greater risks in his attempt to create the ultimate artwork. Along the way we experience Jack's descriptions of his personal condition, problems and thoughts through a recurring conversation with the unknown Verge - a grotesque mixture of sophistry mixed with an almost childlike self-pity and psychopathic explanations. The House That Jack Built is a dark and sinister story, yet presented through a philosophical and occasional humorous tale.Written by
Lars von Trier explains the origins of this film as follows: "The House That Jack Built (2018) celebrates the idea that life is evil and soulless, which is sadly proven by the recent rise of the Homo trumpus - the rat king." [from 'Lars von Trier inspired by Donald Trump for new serial-killer film', The Guardian, Feb. 14, 2017] See more »
In the closing credits, "Miscellaneons Crew" can be seen. See more »
Why do you always have to be so cruel? I'm not completely stupid.
That fucking depends on your definition of "completely."
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An R-rated version exists alongside the unrated 'director's cut'. The UK/Irish release is of the unrated version, as confirmed by the press invitation. See more »
I just saw the "one night only" screening of THTJB, and it's surprisingly good. All the press about the outrageous violence is overstated. There's blood and a scene that verges on torture porn, but the levels of violence and gore are far worse in Nymphomanic and Antichrist.
LvT winks and nods. He gives us satire. Murder as art. Architecture and engineering. Uma Thurman with a broken Jack. The jack as a weapon. Blood. Frozen pizza. Glenn Gould. "Stupid" women. Stupid cops. OCD. Luck and fate. Photography. Family. MAGA hats. Guns. A picnic. Predator and prey. Murder as art (but Verge isn't buying it). The sound of wading in water. Nazis. Jacqueline (the feminine Jack). Misogyny. In America no on can hear you scream. Full Metal Jacket. Antiquity. Hell.
I'm curious to see the R rated version of the film because I think it can benefit from some editing. Matt Dillon is fine, sometimes great. The writing struggles at times. But for once there's another LvT film I can't wait to see again.
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