16 user 5 critic

The Mask You Live In (2015)

Not Rated | | Documentary, News | 25 January 2015 (USA)
3:07 | Trailer

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Explores how our culture's narrow definition of masculinity is harming our boys, men and society at large and unveils what we can do about it.
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Cast overview, first billed only:
Joe Herman Joe Herman ... Himself - Coach and Former NLF Player
Michael Kimmel Michael Kimmel ... Himself - Sociologist and Educator (as Dr. Michael Kimmel)
Caroline Heldman ... Herself - Political Scientist and Educator (as Dr. Caroline Heldman)
Tony Porter Tony Porter ... Himself - Educator and Activist
Roman Sarlo Roman Sarlo ... Himself
Mike Nelson Mike Nelson ... Himself
Cleo Cloman Cleo Cloman ... Himself
Borey Ai Borey Ai ... Himself
Nghiep Lam Nghiep Lam ... Himself
Curtis Carroll Curtis Carroll ... Himself
Tommy Winfrey Tommy Winfrey ... Himself
Ian Breckenridge-Jackson Ian Breckenridge-Jackson ... Himself
Lisa Elliott Lisa Elliott ... Herself - Neuroscientist (as Dr. Lise Eliot)
Michael G. Thompson Michael G. Thompson ... Himself - Psychologist (as Dr. Michael G. Thompson)
Nadine Burke Nadine Burke ... Herself - Pediatrician (as Dr. Nadine Burke-Harris)


Explores how our culture's narrow definition of masculinity is harming our boys, men and society at large and unveils what we can do about it. Written by Anonymous

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Documentary | News


Not Rated | See all certifications »

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Release Date:

25 January 2015 (USA) See more »

Also Known As:

A Máscara Em Que Você Vive See more »

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Did You Know?


End card: «This film is dedicated to all of the boys and men we know and love who inspire us daily with their courage and conviction to stay true to themselves.» See more »


Features Wall Street: Money Never Sleeps (2010) See more »


Man Up
Written by Soren Vedsgaard Christensen, Per Molgaard Jorgensen, Allan Fjeldgaard and Steffen Westmark
Performed by The Blue Van
Courtesy of Iceberg Records A/S
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20 January 2016 | by drohucimupSee all my reviews

What does it mean to be a man, exactly? Why shouldn't boys cry? Why can't fathers share their emotions? Why are men allowed to communicate their anger towards others but not their love for their friends? Why are young men taught to view women as sexual conquests instead of people or friends?

Questions such as these lie at the heart of this documentary, which argues that our society's definition of masculinity is deeply flawed. This is done through a wide array of interviews and case studies. Though the film is clearly informed by feminist theory and an academic foundation, the case studies put a face on concepts and humanizes the ideas found in textbooks. It is an accessible and clear introduction to the fact that feminists care deeply about men's issues. I would strongly discourage people from avoiding the film simply because of this theoretical orientation, however.

I was able to easily relate to the narratives and case studies presented in the film. The process of socialization for boys is something I experienced first hand, and the film organizes things in an insightful and cogent way. Similarly, it does an excellent job of capturing when things begin to go off the rails. For instance, one of the experts that is interviewed notes that kindergarten boys are eager to talk and participate, while by sixth grade boys had become increasingly reticent. This reticence is, partly, because of an avoidance of being nerdy (weak, effeminate) in favor of projecting a tough "I don't care, none of this effects me" attitude. Example upon example is piled on to create a compelling diagnosis of a problem.

The primary issue of the film, or perhaps an area for future discussion or analysis, is that it does not explicitly broach how masculinity overlaps with race and class. It is portrayed, but not explicitly explored. There is some mention of how sexuality and masculinity are intrinsically connected, but those other axis of oppression are largely ignored. As a result the concept of masculinity used in this film might seem overgeneralized to viewers. Fortunately, the film wisely sticks to the most universal threads such as aggression, dominance, and control.

Just a final note: If you have read this film as attempting to demonize "maleness," you've missed the point. It's about the performance of manhood, which is a matter of gender, not sex. Gender is highly malleable and varies across cultures in a variety of ways, and this movie highlights the possibility for change towards a more open and loving form of masculinity in the future. That is a fantastic message and I would encourage any men who find themselves feeling defensive or threatened by the contents of this film to really question why they feel that way. There is an enormous opportunity for self- introspection and growth in this film.

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