How happy and proud they are those two ladies back in Oporto! Thanks to them, their bright nephew can study medicine in Lisbon and may already have become a doctor. Little do they know, not... See full summary »
For thirty years now Maria and José Ribeiro have been living on the ground floor of a Haussmannian building in one of the most exclusive districts of Paris. Everybody loves this nice couple... See full summary »
Joaquim de Almeida,
An 18 year old boy with a complicated life starts a criminal career but ends up on a rooftop of Lisbon. On the apartment below lives a recently widowed, lonely old lady. Against all odds ... See full summary »
Maria do Céu Guerra,
The film tells the story of Quim (João Paulo Rodrigues) and Zé (Pedro Alves), who are reunited with two cousins away from Lisbon. Together, they decide to revive past follies in Curral de ... See full summary »
João Paulo Rodrigues,
Ana Luísa's family meet at home to celebrate her father's birthday. As the guests sit around the table, they share memories with a common denominator: the late Josefa, Ana Luisa's mother. ... See full summary »
Maria João Abreu,
Joana Pais de Brito,
Story of the 1974 coup that overthrew the right-wing Portuguese dictatorship--which continued the fascist policies of long-time dictator Antonio Salazar--and of two young army captains who were involved in it.
Maria de Medeiros
Maria de Medeiros,
Joaquim de Almeida
Francisco, salesman in a shoe store, is totally in love with Tatão, which sells perfume in the same street. But he is an amateur theater actor, as she hates theater and is a fan of cinema. Will this unlikely love endure?
António Lopes Ribeiro
An original and unique parody to reality shows.In Portugal, different celebrities, from different artistic areas, "live" together in a house where everything looks real, but it's not. Pure comedy and social satire.
What a pleasant surprise... followed by absolute dismay. The film starts well indeed, photography is warm and inviting, and acting is accomplished. Some of the dialog is quirky, and you get a decidedly modern French (rather than old Portuguese) cinema feel. But then cracks start appearing in the canvas: certain character decisions seem to be outright obscure (why did Evaristo snap on Carlos after the party? How does Amália feel regarding, well, everyone else?) while others appear to no use at all (Oceana Balisio's character being the most obvious culprit). But the real clencher is the inordinate amount of scenes that seem to have been edited out for (I assume) brevity's sake, with complete disregard for cohesiveness or understandability. I won't elaborate so as to not give any spoilers but you will find them in the final third of the movie, a cardinal sin that leaves you with a bitter aftertaste when the credits roll. What a crying shame. 5/10
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