The President

Mohsen Makhmalbaf's 'The President' is a golden sociopolitical commentary piece that utilizes cinematography and satire to achieve his thesis. The film is beautifully written with touches of cultural realism coming from Makhmalbaf's Iranian background. The film follows the journey of a dictator, from an adored totalitarianism figure to a fallen, wanted man. The story is unforgettable and shocking, it starts a conversation on the fate of dictatorship, with an unexpected ending that leaves you thinking. The ending of the film is haunting, it is somewhat horrific in the sense that it represents humanity in its most brutal form, but more so, the ending was uncertain. Makhmalbaf comments on political dictatorship through 'The President,' but he does not force a view on the audience. This film allows the space for individual interpretations and opinions. This is a must watch. It is also evident that Makhmalbaf's stylistic choices shift significantly from his 1992 film 'Once Upon A Time, Cinema' where censorship and retraction were enforced on his production, to 'The President' where the entire film was shot in Georgia with less governmental guidelines. His style for films changes, and therefore structurally progressed. Both films, though stylistically different, are monumental films that present Makhmalbaf as an auteur.

a dictator . his fall. and beginning of a way. one of films who could be defined as puzzle of memories. because the run, the fear, the dialogues, the transformation and the last scene are pieces from a wise manner to reflect reality on screen who has few brilliant examples in Eastern films. not exactly a national school but a great cinematography. slices from Repetance of Abuladze or Tarkovsky's universe, splendid exploration of detail, the air who becomes material and the scene of home return, the beach and the arguments of young man, the fight with the past, in words, looks and intentions, each, all define a film who could be real discovered in its profound sense - the artistic side is only one from them - for the public who preserves in his personal past slices from a dictatorship.

Set in a non existent country we meet El Presidente, or 'your Majesty' as he likes to be called. He is a nasty, self obsessed man who has surrounded himself with the trappings of any self respecting tyrant. His children are spoilt, he out corrupts the most corrupt and most of his fawning subjects hate his twisted guts.

Then the people just crack over his latest outrage and a revolution kicks off; as he has been detached from reality for so long he is unaware quite how bad things are and elects to stay to sort out the kerfuffle. His grandson – a mere boy- also wants to stay with him, and grandpops relents. Soon they are on their own and having to survive by their wits.

Now this is a film made in Georgian and the sub titles could have been better, but it has a momentum right from the start that just grips you and makes you want to go for the ride. The performances are excellent, the action sequences realistic and often brutal. The filth and detritus that we see as the plot unfolds can be quite moving too. Add to all of that a very humanist story and you get a well made, conceived and presented original piece of cinema.

The fact that this is a fictional country means, that it is not penned in by the constraints of history and so is free to concentrate on the human side of the story. This also means that we avoid political dogma and just see what extremism can do to people. Well worth a punt even if you are half curious as I strongly feel you will not be disappointed.

The authority, power, and money dictatorship possess is fully presented through the screen in this film "The President". The plot's development in the exposition focused on the power dictator has over his people. "The President" relies on the technique of foreshadowing a lot throughout the film. The relationship between the dictator and his grandson was a major element that stood out to me. The run of the president was the reflection of the fall of the dictatorship and the rise of revolution. The particular technique that was the most essential part of the film and that made this film more dramatic was presenting the violence without actually showing it. Let me paint you a picture, a president who is on a run and warranted to be killed for a high reward in return. Throughout the run, there were many plots that highlighted the presence of violence under the influence of authoritarian leadership. Overall, the film presented the concept of family, justice, and dictatorship well. The purpose of this film was to spread awareness of the value of democracy and let the audience understand the consequences of authoritarian leadership. The film's plot developed relatively slow pasted, so if you don't like to spend that much time or can't pay close attention. This film might give you a headache. But, other than that this film is done very artistically and beautifully.

It seems as if the Georgian setting of his latest film "The President" hasn't bothered Iranian director Mohsen Makhmalbaf. The ease and familiarity with which he has directed his film in a foreign land makes all his loyal viewers believe that he has always lived there. Based on a screenplay for which Makhmalbaf contributed with this wife Merziyeh Meshkini, there is hardly any dull moment in this film about an old dictator who is forced to confront all those who were subjugated by him. The entire film is faster than the fastest roller coaster ride through its principal focus on allowing a dictator to explore all escape routes once his government has been overturned. "The President" is suitable for viewing by people of all ages as both young children as well as their old partners would continue to view a dictatorial government with utmost suspicion. For Mohsen Makhmalbaf, "The President" is a modern fable about power, reconciliation and the hope for breaking a never ending circle of violence while exploring the possibility of stopping the violence after a revolution in search of democracy and freedom.