Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment she makes spells and potions, and then picks up men and seduces them. However her spells work too well, and she ends up with a string of hapless victims. When she finally meets the man of her dreams, her desperation to be loved will drive her to the brink of insanity and murder. With a visual style that pays tribute to Technicolor thrillers of the 1970s, THE LOVE WITCH explores female fantasy and the repercussions of pathological narcissism.
Much of the set decorations and costumes were hand made by the director. See more »
When the Police pulled Elaine over in her car. He said her tail lights were out. The only way he could have known her tail lights were out was if she had her headlights on, which she didn't because it was the daytime. See more »
Tampons aren't gross. Women bleed and that's a beautiful thing. Do you know that most men have never even seen a used tampon?
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Anna Biller's labor of love is a unique film experience
"The Love Witch" (2016 release; 120 min.) brings the story of Elaine, the self-proclaimed "love witch". As the movie opens, we see Elaine, in a bright red dress, driving her bright red Mustang convertible, on her way to a friend's apartment (turns out Elaine's luggage is also bright red). It's not long before we realize that after Elaine's husband Jerry left her "I died but then I was reborn as a witch", and now Elaine uses love potions in her quest to attract Mr. Charming. Unfortunately (or perhaps fortunately for us the viewers), these love potions are at times too strong. At this point we are not even 15 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: first and foremost, this movie is nothing short of a labor of love from Anna Biller, who previously brought us "Viva". Let me count the ways: Biller writes, produces, directs, designs the costumes and set, and composes the original score for this. So yes, this is an "Anna Biller Production" from A to Z. Here Biller uses witchcraft and femininity to bring a visually rich, even at times over-stimulating, story about "women empowerment". Even though the movie is set in today, the movie's tone, style and overall vibe is deeply rooted in the 60s. The photography's color palette is deeply striking as well, where bright colors are jumping at you. I must admit that during the first 20-15 min., it all seemed like a giant pastiche or send-up of 1960s movies (not unlike the Austin Powers movies), but once you get beyond the initial surprise, the movie actually settles and is far deeper than just a joke or a send-up (even if you'll find that plentiful in the movie of course). Special kudos to Ms, Biller for the exquisite set designs, in particular keeping in mind this movie was made for a nickel and a dime (certainly by Hollywood standards). My comments would be incomplete without mentioning the outstanding performance by Samantha Robinson (whom I was not familiar with before this) in the title role. Beware: there is quite a bit of nudity in the film, so if that bothers you, you may wish to stay away from this movie. Bottom line: I can honestly tell you that this movie is one of the more unique films I've seen this year, but "The Love Witch" delivers, and then some.
I had seen the trailer for this, and recently "The Love Witch" opened at my local art-house theater here in Cincinnati. The Sunday early evening screening where I saw this at was attended so-so (about 10 people altogether), but those who were there clearly enjoyed it quite a bit, with frequent laughing and hollering (especially from the women in the audience!). If you are in the mood for a truly unique film that is "way out there", if not beyond that, I might suggest you check this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray. "The Love Witch" is HIGHLY RECOMMENDED!
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