The prestigious politician and large-scale farmer Franz Murer, responsible for the Ghetto of Vilnius as SS leader and NSDAP functionary from 1941-1943, stands trial in Graz, Austria. ... See full summary »
Alexander E. Fennon,
A psychiatrist and his blind girlfriend, bound by sinister interest. A school doctor, who lost more than work with her dismissal. Her brother, who will do everything for her. A desperate ... See full summary »
Sarah Victoria Frick,
A 50-year-old housewife, Manana, struggles with her dilemma - she has to choose between her family life and her passion, writing, which she had repressed for years - she decides to follow ... See full summary »
Indochina-war, 1945: French Robert is the only survivor of a massacre in which his brother has perished. Blinded by revenge, Robert rejoins the forces in search of the assassins. But meeting the young Indochinese Maï disrupts his mission.
Lang Khê Tran
Will (Ben Foster) and his teenage daughter, Tom (Thomasin Harcourt McKenzie), have lived off the grid for years in the forests of Portland, Oregon. When their idyllic life is shattered, both are put into social services. After clashing with their new surroundings, Will and Tom set off on a harrowing journey back to their wild homeland. The film is directed by Debra Granik from a script adapted by Granik and Anne Rosellini.Written by
The youth with rabbits in the 4-H scene are members of the Oregon 4-H Youth Development Program. The Director specifically recruited real 4-H members and adult leaders for the film. The youth were asked to demonstrate the skills they learn in their 4-H club meetings and events. See more »
in the last scene of the movie, after tom leaves her father, you can see a branch being moved by the cameraman during the close up on her. See more »
Remarkably unpredictable and, essentially, exposition-less; an affecting and engaging picture.
'Leave No Trace (2018)' is, remarkably, never predictable or on-the-nose. Instead, it soon settles into its own slow rhythm to provide an experience that's refreshing in its ability to show instead of tell. Often, it refrains from saying anything at all, especially during the moments in which it actually speaks volumes. This is a technique - or, rather, way of thinking - it uses to cut to the heart of its scenes and provide some incredibly raw emotional beats. Even in its 'loudest' of moments, it feels marvellously gentle and is brought to life with a steady, self-assured hand. The film is extremely engaging and has an astute ability to render its core relationship with a wonderfully tender realism, examining its father and daughter duo - as well as the former's traumatic background and scarred mental-state - brilliantly and not always blatantly. This, again, plays into its pretty much perfect 'show, don't tell' mentality and allows you to piece together what's going on behind our core players' eyes. It allows for an empathetic and emotive picture that impacts you in essentially every sequence, especially those towards its devastating yet somewhat inevitable end. Overall, the movie is actually highly enjoyable, and affecting, because of this emotional impact. 7/10
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