This season of 'House of Cards' has been the most impressive thus far, and I really hope the rest of the season continues in such a fashion. Each episode has been almost entirely focused on a smaller aspect of the big picture, with finales that function both as resolutions and cliffhangers.
Chapter 29, dealing with Russian-American relations, really manages to set up the big finale wonderfully. Every sequence is interesting in and of itself, but it's the climax that elevates everything which came before. Frank's scheming is nothing new, but watching him have to think on his feet, dealing with a foe who is literally one of the most powerful people in the world, is intriguing. Doug's scenes were relatively limited, after getting most of the spotlight in the season premiere. But his arc is actually quickly becoming almost as alluring as the Underwoods' a-team aims.
Honestly, my only problem with this episode comes in the form of Pussy Riot. Their presence is barely necessary, yet they always feel shoehorned into the forefront of importance. Worse, a song of theirs plays out over the credits, which absolutely ruins the mood. One expects this kind of thing from a comedy or a film for children. But it has no place in a political thriller, and I certainly hope this doesn't give way to a trend of celebrity cameos (real-life political pundits aside).
Chapter 29, dealing with Russian-American relations, really manages to set up the big finale wonderfully. Every sequence is interesting in and of itself, but it's the climax that elevates everything which came before. Frank's scheming is nothing new, but watching him have to think on his feet, dealing with a foe who is literally one of the most powerful people in the world, is intriguing. Doug's scenes were relatively limited, after getting most of the spotlight in the season premiere. But his arc is actually quickly becoming almost as alluring as the Underwoods' a-team aims.
Honestly, my only problem with this episode comes in the form of Pussy Riot. Their presence is barely necessary, yet they always feel shoehorned into the forefront of importance. Worse, a song of theirs plays out over the credits, which absolutely ruins the mood. One expects this kind of thing from a comedy or a film for children. But it has no place in a political thriller, and I certainly hope this doesn't give way to a trend of celebrity cameos (real-life political pundits aside).