A feature-length documentary about the life and films of legendary actor Toshiro Mifune, weaving together film clips, archival stills, and interviews with such luminaries as Steven Spielberg and Martin Scorsese. Narrated by Keanu Reeves.
The Divide tells the story of 7 individuals striving for a better life in modern day US and UK - where the top 0.1% owns as much wealth as the bottom 90%. By plotting these tales together, we uncover how virtually every aspect of our lives is controlled by one factor: the size of the gap between rich and poor.The film is inspired by "The Spirit Level" by Richard Wilkinson and Kate Pickett.
Damien lives with his mother Marianne, a doctor, while his father is on a tour of duty abroad. He is bullied by Thomas, whose mother is ill. The boys find themselves living together when Marianne invites Thomas to come and stay with them.
We live at a moment in time when the Israeli-Palestinian conflict, now more than a century old, continues to be of overwhelming international political and societal importance. From its inception, that conflict has also, of course, had powerful and deeply troubling consequences for Israelis and Palestinians themselves. The story at its most basic level is one that involves two peoples struggling for national recognition and expression in a small but richly significant piece of land. The tragedy of this history, as both the Israeli novelist, Amos Oz, and the Palestinian scholar, Sari Nusseibeh, have each pointed out, stems from a conflict between the rights of two peoples with equal and legitimate aspirations to nationhood and self-expression in a single small territory to which they can both lay claim.Written by
I heard once somebody describing Zionism as a person escaping a burning building, jumping out of the window, and falling on somebody else's head. I think that's a fair description of Zionism.
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I have been thinking about this movie all day because Colliding Dreams is nothing less than a life changer. It affected me in an analogous way to seeing Shoah.Like Shoah, Colliding Dreams took a 360 degree walk around an integral part of my identity that had always been confusingly and troublingly blurred—and crystallized it. I grew up with an unasked for connection to Israel, but it was like a relative I never saw, didn't know, couldn't tell how to feel about. If I had any sense of Israel, it was through a very partial and distorted lens of my own teen experience getting kicked off kibbutz, paired with my inability to grasp the politics or currents of feelings. Jews going to Israel only told me I couldn't get it, that I merely had a reductive American take on things.
The people who spoke to the audience through the interviews were each awesome. I keep thinking of them! The one who looked like Ray Bolger with his comments about making a good state, and the guy who said "We are trapped!" The young bald guy. The Peace Now woman --what a spirit--with her anecdote about the stickers and the video of her when she was young, and other guys with messy hair. Orly, who moved away, as I have always thought I would if born there. The wonderfully articulate woman with the necklace. I really want to see it again so I can call them by name. What essential, valuable intellects for us to know--what great intelligences are brought to us through them. I knew that whenever someone came on camera I was going to want to hear what they had to say. The directors found the most profound voices and offered them to us in an astoundingly organized way, year by year, decade by decade. They literally spliced a century of time! And I loved the framing of the movie with the siren and the moment of silence, that freeze into motion. Absolutely perfect!
Thank you to the directors for this dedicated, most complicated, grace-filled film. It really made a difference in my life. I have more of a sense of Israel than I have had in my 58 years--and much more a sense of authentic connection because of that.
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