When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the United States. These two elite secret organizations must band together to defeat a common enemy.
Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Debora, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music?Written by
Kenneth Chisholm (email@example.com)
When leaving the post office, they shoot the security guard and in the rush leave their identity masking glasses on, however Buddy's glasses are turned off in one cut. See more »
You doubt our credentials?
Wall Street, right?
Doc tell you that?
Doc didn't tell me shit. Just a educated guess from an uneducated man.
Well, Bats, I would be fascinated to hear your thoughts on the matter.
Tell me if I'm way off, Buddy. You were a stockbroker. Maybe a different wife, maybe kids. You stack your paper, but you say shit like "work hard, play harder." But you play a little too hard. You rack up debt. The type of debt that'd make a white man blush. Maybe you get into a little ...
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The "ding" in the opening Sony logo turns into the sound of Baby's tinnitus. See more »
Edgar Wright is known to deliver, if nothing at all, very entertaining films. Baby Driver is no exception. With an all star cast including Ansol Elgort, Jamie Foxx, Lilly James, Jon Hamm and Kevin Spacey, Baby Driver not only is an extremely well cast and choreographed film, it just might be the best film of Edgar Wright's career. Telling the story of a young man named Baby, who is a professional getaway driver who needs music in order to complete his jobs, as he navigates through the criminal underworld. When he takes a risky job for a mysterious gangster (played by Kevin Spacey), he finds himself on the run after things go horribly wrong. With his girl by his side and his music in his hands, Baby must use his specific skillset to get out of the underworld.
Before anyone says it, yes, this film plays like a less serious Drive. The storyline is not what is supposed to stand out here, the incredible direction under Edgar Wright and the great central performance from Ansol Elgort are definitely the stand outs here. Granted, I doubt that Elgort would have been able to deliver such a great performance without the amazing supporting cast that Wright wrangles up, but he ends up giving a great performance here as Baby. The rest of the cast is more or less there for name recognition only as none of them go above and beyond in their performance.
Despite this, the cast are mere pawns in Edgar Wright's brilliant film. The real stars of Baby Driver are the stunt teams. These car chases are finally something new. With the incredible automobile warfare that the Fast and Furious franchise has given us for decades, it was nice to see a film embrace a smaller scale of car chase. It is real, exhilarating and downright perfect for this film. Truthfully, the car chase sequences here are some of the best that I've seen since Refn's Drive but that's just me. Speaking of Drive, how could I forget Wright's amazing choice of soundtrack. The soundtrack is about just as great as the stunt team's work on this film. This is very much in the vein of Scott Pilgrim as far as soundtrack is concerned and is bound to be a hit come time for the film to premiere in its wide release.
Overall, Edgar Wright delivers an action movie with a flawed perfection to it. The story is paper thin, the acting is passable (except for Ansol Elgort, who is terrific), but the action sequences and soundtrack are amazing. These two components are more than enough reasons to go see this film.
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