When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the United States. These two elite secret organizations must band together to defeat a common enemy.
Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Debora, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music?Written by
Kenneth Chisholm (email@example.com)
Costume designer Courtney Hoffman suggested giving Deborah beat-up boots to show that "she's not committed to this life of being a waitress and can take off anytime." See more »
When Baby is breaking into a car after being chased through the shopping mall, a camera operator can vaguely be seen in the reflection. See more »
Hey Baby, you know it's funny. Even though I heard it so many times in the court case, I still can't get used to the fact that your real name is Miles. It's a cool name though. I can think of a lot of great Miles songs. But we still have to get through all those Baby songs first. I can't wait until the day when it's just us, music and the road. See you later Baby. All my love, Debora.
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At the end of the credits is the sound of a tape rewinding. See more »
New Orleans Instrumental No. 1
(Bill Berry (as William Berry), Peter Buck, Mike Mills (as Michael Mills), Michael Stipe (as John Stipe))
Performed by R.E.M.
Courtesy of Concord Music Group/Universal Music Group International
Under licence from Universal Music Operations Ltd See more »
Crime thriller that keeps you smiling with soundtrack integrated into the performance
A really stylish crime thriller with integrated soundtrack that keeps it moving at a pace. Constantly moving you from happy upbeat moments to high octane car chases and graphic shoot-outs. The soundtrack was directly integrated into the acting performance in a very enjoyable and unique manner. It seemed to lose its way towards the end a little, but the musical approach overshadowed the weaknesses.
7 of 10 people found this review helpful.
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