An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
12 years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they soon become the target of the dollmaker's possessed creation, Annabelle.
A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
Greta is a young American woman who takes a job as a nanny in a remote English village, only to discover that the family's 8-year-old is a life-sized doll that the parents care for just like a real boy, as a way to cope with the death of their actual son 20 years prior. After violating a list of strict rules, a series of disturbing and inexplicable events bring Greta's worst nightmare to life, leading her to believe that the doll is actually alive.Written by
On February 25, 2015, STX Entertainment acquired the U.S. rights to the film and set the film for a February 5, 2016 release. However, in March 2015 the film was moved up to a January 22, 2016 release. See more »
The number plate of the taxi in the opening scene does not match the British style of number plates. British plates are in the style of AB11 CDE or A123 BCE. See more »
Okay, I see that you're... a writer from... Phoenix, Montana. You've come here to be inspired by the English countryside and to get away from the hustle and bustle of your life in the U.S. of A.
Um... not at all. No.
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If you are looking for a horror movie with more originality than usual this may be your film. Most horrors are standard genre films that rely on cinema clichés to frighten us and audiences have become immune to plots with spooky dolls, isolated nannies and scary mansions. The Boy (2016) stands out by combining all of these horror tropes into a single story then overlays them with a plausible thriller about parental grief. It tries to be a serious film without the lame humour which so often sugar-coats horror movies into comedy-thrillers. But the downside is also typical of the genre: it runs out of ideas on how to finish the job.
Greta (Lauren Cohan) is fleeing a bad relationship and applies for a nanny job caring for an 8-year old. She arrives at an isolated mansion in the English countryside and the child turns out to be a life-size doll called Brahms. The older couple's son died in mysterious circumstances twenty years earlier and Brahms is their way of dealing with unresolved grief. The creepy parents abruptly depart for an extended holiday, leaving Greta with strict instructions on how to care for Brahms. At first she ignores Brahms but soon weird things happen like the doll changes position and strange sounds echo through the house. Greta is alone and terrified until she befriends the local grocery guy Malcolm, but all hell breaks loose when the violent ex-boyfriend turns up unexpectedly. Poor Brahms becomes the unwanted child in some high-tension scenes but predictably the doll gets its revenge.
Although not a great fan of horrors, this one kept me engaged until the final quarter where a tired old stock-standard formula is used to tie the narrative ends together. Until then, the film maintains a menacing Gothic atmosphere and enough surprises to keep you guessing what will happen next. Lauren Cohan is well cast as Greta and the story moves along at a lively pace. If you are not willing to suspend disbelief and go along with the story premise, you are unlikely to see it through and you are probably not a horror fan anyway. A good test if it will work on you is to grab a toy doll and stare into its eyes; if your mind can fantasise it staring back at you with malicious intent, you pass and should see The Boy.
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