An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.
Director:
David F. Sandberg
Stars:
Teresa Palmer,
Gabriel Bateman,
Maria Bello
In 1967 Los Angeles, a widowed mother and her daughters add a new stunt to bolster their seance scam business by inviting an evil presence into their home, not realizing how dangerous it is.
Director:
Mike Flanagan
Stars:
Elizabeth Reaser,
Lulu Wilson,
Annalise Basso
Washed-up true-crime writer Ellison Oswalt finds a box of super 8 home movies that suggest the murder he is currently researching is the work of a serial killer whose work dates back to the 1960s.
Greta is a young American woman who takes a job as a nanny in a remote English village, only to discover that the family's 8-year-old is a life-sized doll that the parents care for just like a real boy, as a way to cope with the death of their actual son 20 years prior. After violating a list of strict rules, a series of disturbing and inexplicable events bring Greta's worst nightmare to life, leading her to believe that the doll is actually alive.Written by
STX Entertainment
Cast members actually used the doll ("Brahms") to prank each other on the set. On one occasion, one of the cast members propped the doll up outside of the other actor's bathroom in their trailer to scare them. Upon seeing this, they hurled the doll outside of their trailer and the crew had to repair it and make a replacement doll. See more »
Goofs
The number plate of the taxi in the opening scene does not match the British style of number plates. British plates are in the style of AB11 CDE or A123 BCE. See more »
Quotes
Malcolm:
Okay, I see that you're... a writer from... Phoenix, Montana. You've come here to be inspired by the English countryside and to get away from the hustle and bustle of your life in the U.S. of A.
Greta Evans:
No.
Malcolm:
Close.
Greta Evans:
Um... not at all. No.
See more »
"The Boy" presents us with an interesting premise from the start. A young American woman takes a job as a nanny to an elderly couple's child in Britain. Only when she gets to their large, creepy mansion does she learn the "boy" is really a doll that the couple treats as if it is alive and their son. Much of what ensues after this is fairly predictable. We know the doll is going to end up doing creepy things, or at least we'll be led to believe this is the case. We also know there will be something more going on than what meets the eye. Lauren Cohan does a very good job, which is essential because she has to carry most of the movie. Many scenes are with her and the doll alone. Also, the setting and the doll itself do a great job of creating the mood. The film does well at holding the viewer's attention; however, once we see the final "twist" we understand that it was really the only reasonable explanation--although it is really not all that reasonable. There are a few scenes where the dialog and impact fall a little flat. I recommend the film to those who really like this genre, because there is enough there to make it worthwhile; however, do not expect a masterpiece.
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"The Boy" presents us with an interesting premise from the start. A young American woman takes a job as a nanny to an elderly couple's child in Britain. Only when she gets to their large, creepy mansion does she learn the "boy" is really a doll that the couple treats as if it is alive and their son. Much of what ensues after this is fairly predictable. We know the doll is going to end up doing creepy things, or at least we'll be led to believe this is the case. We also know there will be something more going on than what meets the eye. Lauren Cohan does a very good job, which is essential because she has to carry most of the movie. Many scenes are with her and the doll alone. Also, the setting and the doll itself do a great job of creating the mood. The film does well at holding the viewer's attention; however, once we see the final "twist" we understand that it was really the only reasonable explanation--although it is really not all that reasonable. There are a few scenes where the dialog and impact fall a little flat. I recommend the film to those who really like this genre, because there is enough there to make it worthwhile; however, do not expect a masterpiece.