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Sone'a Fee Misr (2014)

An aimless young man with no ambition is cursed by his little sister. His attempts to free himself of the curse take him on a journey that teaches him many lessons.

Director:

Amr Salama

Writer:

Mustafa Helmy
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Cast

Cast overview:
Ahmed Helmy ... Ala El-Faresy / Panda
Yasmin Raeis ... Ola
Dalal Abdulaziz ... Hoda (as Dalal Abdel Aziz)
Bayyumi Fuad ... Ibrahim
Edward Edward ... Dr / Ashraf
Nour Osman Nour Osman ... Fatma
Abdullah Moshref Abdullah Moshref
Tarek Al Amir Tarek Al Amir
Youssef Eid Youssef Eid
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Storyline

The movie revolves around "Ala El-Faresy" (Ahmed Helmy), who owns a shop for toys, but the shop achieves low sales, and for this reason he get a loan from a bank, and in one day strangely the hope of his young sister realized so "Alaa" turns into "Panda", and "The panda" become "Alaa" resulting in a large mixing in his life, however, he is briefed on the bright aspects he did not know before, and make him think about how to develop his own children shop. Written by Waleed El Kady

Plot Summary | Add Synopsis

Genres:

Comedy | Family

Parents Guide:

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Details

Country:

Egypt

Language:

Arabic

Release Date:

28 July 2014 (Egypt) See more »

Also Known As:

Made in Egypt See more »

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Box Office

Budget:

EGP 20,000,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

HD 1920x1080
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Did You Know?

Trivia

The movie title changed from "Cotton and Mouse" to "Sone'a Fee Misr". See more »

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User Reviews

 
Salama requires to revise his ideas and filmmaking techniques.
14 December 2014 | by imo96See all my reviews

As a film critic, I've been following Salama on a daily basis, after his unpredictable "A Day Like Today". But I pondered the question so deeply, why would Salama vanish his talent afterwards? "Asmaa" had its potentials and more importantly, it assisted the viewer to observe society differently, I've honestly criticized "Asmaa" in regards to its flaws and nonsensical dialogues. And then finally we reach his worst film yet. I cannot imagine that such a talented filmmaker who spoke hours to the audience last year about his filmmaking technique and why high budget films should be avoided. Is "Made In Egypt" a low budget important film? Or rather a commercial, typical clichéd film? I would select the second one since "Made In Egypt" is not only Salama's worst yet but on of the worst of the year so far. Salama should revise everything, he has learned about filmmaking.


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