After breaking up with her boyfriend, a professional woman gets involved with a man who seems almost too good to be true.


David M. Rosenthal


Alan B. McElroy (story by), Tyger Williams (screenplay)
2 wins & 3 nominations. See more awards »





Cast overview, first billed only:
Sanaa Lathan ... Leah
Michael Ealy ... Carter
Morris Chestnut ... Dave
L. Scott Caldwell ... Evelyn
Charles S. Dutton ... Roger
John Getz ... Renkin
Tess Harper ... Mrs. McCarthy
Kathryn Morris ... Karen
Rutina Wesley ... Alicia
Holt McCallany ... Detective Hansen
Jessica Parker Kennedy ... Rachel
David Starzyk ... Frank
Ronnie Gene Blevins ... Roy the Mechanic
Wilmer Calderon ... Detective Gardner
Gordon Clapp ... Bill Forsythe


After a painful breakup, successful lobbyist Leah Vaughn (Sanaa Lathan) jumps into a passionate relationship with a charming stranger (Michael Ealy). When her ex-boyfriend (Morris Chestnut) resurfaces in her life she has to figure out who she should trust and who she should fear. Written by Sony Pictures Entertainment

Plot Summary | Plot Synopsis


Trust one, fear the other



Motion Picture Rating (MPAA)

Rated PG-13 for violence, menace, sexuality and brief strong language. | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


Sanaa Lathan and Morris Chestnut also starred together in the Best Man series. See more »


The detective mentions getting a subpoena to search a suspect's apartment. Subpoenas are used to obtain records or compel someone to appear in court. If a dwelling is to be searched, a search warrant is the proper item to use. A seasoned detective would know the difference between the two. See more »


Leah: This is the part of the movie where you kidnap me and sell my organs, right?
See more »


Referenced in Midnight Screenings: The Perfect Guy (2015) See more »


Written and Performed by Chance Hayden
Courtesy of Crucial Music Corporation
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User Reviews

Competent, serviceable entertainment
11 September 2015 | by StevePulaskiSee all my reviews

The worst thing the acclaimed 1987 drama "Fatal Attraction" ever did was make future films revolving around obsessions in relationships suffer by comparison. It seems that whatever films come out revolving around a crush that turns into a lethal obsession, all that needs to be done is reference the classic drama, claim it's better and always will be, and after that, there's no reason to take the successor in question seriously.

While "The Perfect Guy" is far from a solid film, and bears some glaring shortcomings, it has a certain level of appeal that kicks in around the third act, making it morph into a more lively thriller than others of the genre. The film focuses on Leah Vaughn (Sanaa Lathan), a successful woman working in corporate America, who has been building an equally successful relationship with her boyfriend David (Morris Chestnut). One day, however, she recognizes the fact that she's approaching forty and is still unmarried and childless, leading to spontaneously break up with David in the face of an early on-set midlife crisis.

Not long after, Leah meets Carter (Michael Ealy), a suave, charming stranger at a coffee shop, who gives her his iced latte before her's is served. They meet later that night once more, as fate would have it, and Carter romanticizes her with his selfless words and his incredibly easygoing nature and begin dating. However, when a harmless stranger at a gas station is mistaken for a creep and Carter responses with uncompromising brutality, Leah cuts him off from her life. As a result, Carter makes numerous advances towards Leah, taking no for an answer each time, resorting to following her and calling her throughout the day. Leah enlists in the help of Detective Hansen (Holt McCallany), who explains how difficult it is to persecute a rampant stalker without concrete evidence of life-threatening harassment, all while Carter's behavior never lets up.

The acting in "The Perfect Guy" is uniformly shaky, with Lathan and Chestnut clearly doing their best to work on a basic level with what screenwriter Tyger Williams has given them. Williams concocts an emotionally obvious screenplay, with predictable dialog that handcuffs its actors to delivering the bare-basics in casual conversation (the PG-13 rating also doesn't help too much). The actors that do take their roles to another level, however, are Michael Ealy and Holt McCallany. Ealy's smug facial expressions, likable smile, and sexy charisma make him almost irresistibly attractive from the first frame he's in, and even when he shows his despicable ways, he is still a fascinating character. His performance may not be groundbreaking, but it works because he exploits it for what it is. Also very talented but unlikely to share what little acclaim this film will find is McCallany, whose serious and even-tempered demeanor work wonders when paired with Lathan in the film's later scenes. Consider the off-duty advice Hasen gives Leah in a diner one afternoon, perfectly asserting himself as no longer a supporting character, but an off-kilter presence.

Finally, there's the frustrating element of reversing how we should look at a character halfway through the film. In the beginning, Williams and director David M. Rosenthal positions the scene where Leah breaks up with David as if we're supposed to side Leah, for she is unsatisfied and is looking to advance her life while David is treading water and keeping things simple. However, when Carter, the rebound, turns into a persistent stalker, all of a sudden, we are supposed to quietly condemn the actions of Leah, right after we were positioned to root for her in her ability to impulsively give up financial and relationship security. The same mistake is made in Tyler Perry "Temptation: Confessions of a Marriage Counselor," albeit to a much greater extent.

At the end of it all, "The Perfect Guy" still serves as competent entertainment, particularly when it disregards a lot of the acting and screen writing shakiness for consuming suspense in the final forty minutes. It reminds me a lot of last year's "No Good Deed" (which came out this same weekend), in that the film takes a familiar story, but through a couple of solid performances and a strong dose of suspense, the film winds up being serviceable entertainment with a bit more to offer than mindless energy.

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Release Date:

11 September 2015 (USA) See more »

Also Known As:

The Perfect Guy See more »

Filming Locations:

Los Angeles, California, USA See more »


Box Office


$12,000,000 (estimated)

Opening Weekend USA:

$25,888,154, 13 September 2015

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

2.35 : 1
See full technical specs »

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