Monica is a social worker from Mexico City, who's child is suffering from a degenerative illness in his eyes. Having exhausted all other options, a corneal transplant is her only hope. ... See full summary »
Mónica Del Carmen,
Omar, a photographer, has a special experience with death. He is trying to express it through a new project. One day, three photo sessions and witnesses. Between the walls of a studio, one ... See full summary »
Mohamad Al Khansa,
A pregnant 17-year-old decides to keep her condition to herself, enjoying a calm life in Puerto Vallarta. But, why on earth hadn't the inexperienced mother-to-be sought for assistance earlier? Can a mere child raise a kid on her own?
Ana Valeria Becerril,
Arnulfo Rubio smuggles weapons for a deadly Mexican cartel. ATF agent Hank Harris attempts to apprehend him, but gets kidnapped by Rubio, instead. Rubio takes him to his bosses, but during the 600-miles-long drive, they slowly befriend.
David is an in-home nurse who works with terminally ill patients. Efficient and dedicated to his profession, David develops strong, even intimate, relationships with each person he cares for. But outside of his work, David is ineffectual, awkward, and reserved-effects of his chronic depression-and he needs each patient as much as they need him. Having long carried a burden of guilt and remorse, David must face his past in order to heal.Written by
This would have been my favorite 2015 film--had it not liberally copied ideas from "Still Life"
I went to see this movie because of the Cannes Film Festival best screenplay award that the film had won. It was indeed a good film, with good acting by Tim Roth.
The screenplay is good but it has liberally borrowed ideas, without acknowledging it, from Uberto Pasolini's 2013 film,"Still Life," a winner at theVenice film festival. All the director/screenplay writerhas done is that he transformed a bachelor bureaucrat to a divorced male nurse and passed it off as "original" writing.
And to think this plagiarism leads to a Cannes top award! Shame on the director! It also brings down the prestige of Cannes' awards. Recently another Cannes Jury conferred the Golden Palm to Haneke's "Amour,"which in turn had copied chunks of sequences/ideas from Runnarson's 2011 Icelandic film "Volcano."
Obviously, the Cannes jury had never seen "Still Life." The jury could instead have conferred the best actor award to Tim Roth-who would have deserved it. It underscores the lack of knowledge of current cinema by juries at Cannes in recent years.
For those who have not viewed either, please view "Still Life" first.
22 of 39 people found this review helpful.
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