A young couple move into an apartment only to find the body of a young woman that had been missing for 2 years but never registered as missing which leads to a deeper investigation into what actually happened.
A supernatural drama telling the story of three different families living in the same house in 1968, 1987 and the present day, linked by the spirit of the young daughter of the 1960s family, who drowned in mysterious circumstances.
The Secret is the story of a real-life double murder. James Nesbitt plays Colin Howell, a respectable dentist and pillar of the community, who became a killer in partnership with a Sunday ... See full summary »
25 years ago, Jane saw a man killing her mother. Today, she's a well adjusted wife and mother herself. While having a physical, she notices a doctor who looks like the killer and reports him. No one believes her - except one cop.
DCS David Baker headed up the investigation into the brutal murders of two Leicestershire schoolgirls between 1983 and 1987. Only a few miles away, Dr Alec Jeffreys, was a scientist at Leicester University who, on 10 September 1984, invented a remarkable technique to read each individual's unique DNA fingerprint. When a local teenager admitted to one of the murders but not the other, Baker asked Jeffreys to analyze the DNA evidence left at the crime scenes. Both men were shocked to discover that the teenager was innocent, his confession false. DCS Baker then took the extraordinarily brave step to launch the world's first ever DNA manhunt, testing over five thousand local men to track down the killer.Written by
A bit too static, even for a film based on true events and characters
I am aware that planning and creating a feature film/series when many people know of the course of events and ending is a challenge, with the need to emphasize other elements, e.g. acting, background, directing, etc. In spite of the fact that the events happened "before my time" in a different country, I could still guess the outcome, and many decisions probably relevant then seem odd and questionable at present. The result for me is a half-documentary and protracted depiction with "not-among- the-finest" actors in the leading roles, with focus on hesitations instead of implementation and, in retrospect, odd blunders by the local police.
Both the director (James Strong) and John Simm and David Threlfall have participated in more integral and more interesting works, but if you like docudramas and are not too young, then Code of a Killer is definitely above average.
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