When a group of friends enjoying a bachelor cruise in the Caribbean stumble upon a research facility on a remote island, a deadly virus is unleashed. The group must find a way to survive before the flesh eating virus consumes them all.
A large family is going to the mountain for their christmas vacation, in a rented cabin. Problems occur on Christmas Eve when the father gets drunk and his alcohol problem comes to show. We... See full summary »
Mona J. Hoel
As the girl looks through the photos at the end, the bottle of water on her bed is labeled "Willard Springs". Willard Springs is where most of the film occurs. See more »
During the end credits, a scene is shown of a young college girl looking at Karen's Facebook page. As she flips through the photos she see various photos of the trip our protagonists were on. She then is horrified to see photos of the girl's bloodied legs, then a photo of bloodied shredded mouth and a photo of one of the guys bringing down a shovel to he face. Besides the photos being out of order, these "photos" are clearly screenshots from the film itself and were NOT taken by anyone, as they were taken from angles where there were no cameras (other than the ones filming the movie). See more »
When you've known someone a long time, you just want to kiss them just to see if they're a good kisser. There's nothing wrong with that, right?
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The police can be seen collecting the bodies during the credits. Afterward, a young woman is shown looking at photos from the movie on Facebook on her laptop and being disgusted by the gory ones. See more »
While not a shot-for-shot remake (the angles and cinematography are different), this remake uses the same script as the 2002 original with slight alterations. Despite this seemingly pointless exercise, I was prepared to give it a chance and not hate it for failing to aspire to anything original. I'll go on the record saying I -wanted- to like this film, despite some unease after watching the trailer. I'm sad to say it fails to live up to the original in nearly every regard.
What sets this remake apart from it's 2002 predecessor is the lack of any chemistry between the actors. It's not that any one particular actor is singularly bad, it's that none of them feel like they're in the same movie. It literally feels as if they pulled random strangers off the streets and asked them to make-believe they were friends for a weekend. I simply couldn't buy that any of them would take off for a weekend together, much less have known one another for years, as is the case for at least two of the characters. They feel like strangers and it doesn't help that all of them seem to be acting as if they're in completely different films--the disconnect is that apparent. It's upsetting that, despite having many of the same scenes and lines as their original characters, everyone in the cast feels so disconnected from the script that they utterly fail to bring any of their characters to life. They're the ghosts of what we saw in the original film, the acting completely lifeless. It's as if none of them wanted to be there.
Roth's trademark humor is also excised in favor of a few random throwaway jokes, delivered in such a deadpan tone by the actors that each one falls flat on its face. This time around, the director goes for a more serious approach to the material (a mistake, I believe) and attempts to paint the film as a tragedy. Nothing attempts to sell this more than the overly-ambitious music score, which is so epic at times that it feels like it belongs in a big-scale war movie. The composer feels the need to John Williams this thing up at times, which just leaves the viewer scratching their heads at why such a big spectacle of a score is being utilized for a film that largely takes place in a single cabin.
As if to keep from being too familiar, the deaths are altered just enough to qualify as being original, as long as you don't count on being surprised. Practically everything is telegraphed a mile in advance thanks in no small part to the reliance on the original script so that even the prospect of new deaths isn't enough to warrant much excitement.
Perhaps the biggest blunder is the recasting of Deputy Winston as a woman, played by an actress with zero comedic timing (although this doesn't stop her from being handed humorous dialogue). The character is a painful reminder that no one invested in this remake knows how to bring life to their character, as is true with the weed-toting camper (played by Eli Roth in the original). No one would call the acting in Cabin Fever '02 a revelation, but it's as good as gold compared to this.
The entire film is permeated with a depressing lack of passion on or off camera. It's as if no one wanted to be doing this. Roth's film, while certainly underrated by many, at least felt as if it was made by someone who cares. This is a lifeless remake on par with the new Nightmare on Elm Street. Truly a flat, emotionally barren production not even worthy of viewing as a curiosity.
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