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Im Labyrinth des Schweigens (2014)

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A story that exposes the conspiracy of prominent German institutions and government branches to cover up the crimes of Nazis during World War II.


Giulio Ricciarelli


Elisabeth Burghardt (screenplay) (as Elisabeth Bartel), Giulio Ricciarelli (screenplay) | 2 more credits »
6 wins & 18 nominations. See more awards »





Cast overview, first billed only:
Alexander Fehling ... Johann Radmann
André Szymanski André Szymanski ... Thomas Gnielka
Friederike Becht Friederike Becht ... Marlene Wondrak
Johannes Krisch ... Simon Kirsch
Johann von Bülow ... Staatsanwalt Haller
Robert Hunger-Bühler ... Oberstaatsanwalt Friedberg
Hansi Jochmann ... Schmittchen
Lukas Miko Lukas Miko ... Hermann Langbein
Gert Voss ... Generalstaatsanwalt Fritz Bauer
Tim Williams ... Major Parker
Mathis Reinhardt Mathis Reinhardt ... BKA Mann Fischer
Hartmut Volle Hartmut Volle ... Lehrer Alois Schulz
Werner Wölbern Werner Wölbern ... Hans Lichter
Timo Dierkes Timo Dierkes ... Peter Mertens
Michael Schernthaner Michael Schernthaner ... Alter BKA Mann


The year is 1958. The war has been over for thirteen years and the Federal Republic of Germany is not only recovering but even booming. But where are the Nazis? Who has ever heard of the death camps? It looks as if everything is for the best in the best of all possible worlds in this land of milk and honey - At least, until the day journalist Thomas Gnielka reports on the recognition by a German-Jewish artist of a local schoolteacher, a former guard at the Auschwitz concentration camp - At least, until Johann Radmann, a young prosecutor, decides to investigate the case - Nobody knows it yet but this is the dawn of a new era. Even if the road to awareness will be long and rocky. Written by Guy Bellinger

Plot Summary | Add Synopsis


Based on the true events of the investigation that led to the Frankfurt Auschwitz trials. See more »


Drama | History

Motion Picture Rating (MPAA)

Rated R for a scene of sexuality | See all certifications »


Official Sites:

Official site | Official site [Japan] | See more »




German | English

Release Date:

6 November 2014 (Germany) See more »

Also Known As:

La conspiración del silencio See more »


Box Office

Opening Weekend USA:

$22,101, 4 October 2015, Limited Release

Gross USA:

$794,123, 28 February 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


Based on the life of Frankfurt's attorney general Fritz Bauer and three of his prosecutors. They all were instrumental for the holding of the important 'Auschwitz trials' in 1963. See more »


In the second half of the movie, the English subtitles are seriously out of synch with the German dialogue, making it very difficult to follow lengthy conversations. See more »


Major Parker: You were all Nazis. In the Eastern sector, now you are all communists. Jesus, you Germans! If little green men from Mars landed tomorrow, you would all become green.
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Party's End
Written by Schadlich, Staudt, Riedl and Kijujic
Performed by CatZ
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User Reviews

The Importance of IRL Events Trump a Somewhat Formulaic Story
10 November 2015 | by vsksSee all my reviews

Germany's submission (trailer) for Best Foreign Language Film at the upcoming Academy Awards puts viewers in a world of anti-Semitism, fear, denial, indifference and callous pragmatism. The movie, screened with subtitles, breathes life into the familiar storyline of a justice-seeking crusader. This one is not entirely alone, but the pervasive forces he's battling are propagated not just by those in power but by the common folk as well. Set in Frankfurt in 1958, the movie fictionalizes the effort to conduct the first German prosecutions of former Nazi officials. Many believed the Nuremberg trials conducted by the Allied forces had resolved that matter (or should have). At the same time, it was common knowledge that war criminals were everywhere, carrying on normal lives with impunity. Only after these ground-breaking trials did Germans finally confronted their wartime culpability. Bringing ex-Nazis to justice required heroic effort. Making that journey in the film is young prosecutor Johann Radmann, played by Alexander Fehling in a widely praised performance. (Radmann is a composite of several real-life prosecutors.) He's a junior one, handling traffic violations, but he's ambitious. The screenplay deftly reveals this by showing him articulating the case for sentencing a murderer to the maximum penalty of life imprisonment, then we see he's standing alone in front of a bathroom mirror. Into this unfulfilled life comes a revelation from a journalist, Thomas Gnielka (André Szymanski). He tells prosecutors a member of the Waffen S.S. stationed at the Auschwitz concentration camp now works as a school teacher, in violation of federal law. Radmann wants the case, but he's opposed by his boss and colleagues. He's supported, however, then led by a shrewd, experienced Attorney General, Fritz Bauer, the real-life hero of the story, who has long harbored the ambition of bringing top ex-Nazis to justice. Played by the late Gert Voss, he exudes quiet power. Radmann is far less aggressive in his personal life than his professional one, but a convincing romantic involvement with a dressmaker, Marlene Wondrak (Friederike Becht), raises the stakes for him. We feel the horrors of the camp through the emotions of survivors, primarily artist Simon Kirsch (Johannes Krisch), a friend of Gnielka, who lost his twin daughters to the horrific experiments of Dr. Josef Mengele. But the focus stays on the complicity of those who continue to ignore, deny, or cover up Nazi crimes. It's not difficult to understand the disconnect between Radmann and the people trying to thwart him. He was too young to appreciate how so many of his countrymen came to be Nazis. If he can't come to terms with his new knowledge, however, it will destroy him.

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