Story based on the legendary mansion at No. 81 on Chaoyangmennei Street in Beijing, which local legend says is haunted by the ghost of a Kuomintang official's wife, who committed suicide in...
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A haunted theatre, filled with the vengeful spirits of a tragically-trapped performance troupe murdered in a fire 13 years ago, waits for the once-grand palatial playhouse to re-open with a new show - and bring in new victims.
The film is set in the 1940s, and starts with a strange murder in a beautiful Jiangnan river delta. At the scene, all that is left is an exquisite pair of embroidered shoes. An innocent ... See full summary »
Tim Cheung joins the Vampire Cleanup Department which is a secret task force for dealing Chinese vampire Goeng Si. He is instructed by his uncle Chau and he saves a female Goeng Si, Summer from her evil lord Goeng Si who buried alive her.
Story based on the legendary mansion at No. 81 on Chaoyangmennei Street in Beijing, which local legend says is haunted by the ghost of a Kuomintang official's wife, who committed suicide in the home around the time of the Cultural Revolution. The film follows Xu Ruoqing a woman whose presence in the notorious mansion draws up the spirits that have taken residence there.Written by
The pre-production preparations for the The House That Never Dies took three years, whilst production for the film took one year. The filming crew visited the Chaonei No.81 and collected over 3,000 pages of data. See more »
Though a little horrible, the plot keeps flowing and the cinematography is good
The story starts with a Taiwanese lady and her daughter, going back to Beijing, and a couple in Beijing in the 21st year of Republic of China. This part of the story seems ridiculous, using the montage.
But soon, as the development of the story, there's a relationship between the past, and present people. The couple's daughter is believed to be the great-grandmother of the lady.
That's when the horror part comes in. The horror, however, turned out to be something else. Just watch the film and get known to it. I believe the last minutes, after the climax contained most information of the film, pacing up.
I really appreciated the director and the writer's skill, since they seems to have a great ability of controlling the plot, and time, to make the audience closely follows their vision, or the vision they want to present. That's what I believe, the current Chinese Film Industry, is lack of, and should be aware of.
For the cinematography, the PD used a lot of tracking shot with zooming. I believed its cinematography is the best among the Chinese film's I watched recently.
All in all, I believe this film is wonderful, especially for modern Chinese Film Industry. Just hope more non-horror movies with the same way of delivering story should emerge in China, to let Chinese know what is called good film. Not just the chase, not just the fight, and not always the fame, to taste the genuine art of film.
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