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Title: The Nice Guys (2016)
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| Cast overview, first billed only: | |||
| Russell Crowe | ... | Jackson Healy | |
| Ryan Gosling | ... | Holland March | |
| Angourie Rice | ... | Holly March | |
| Matt Bomer | ... | John Boy | |
| Margaret Qualley | ... | Amelia Kuttner | |
| Yaya DaCosta | ... | Tally | |
| Keith David | ... | Older Guy | |
| Beau Knapp | ... | Blueface | |
| Lois Smith | ... | Mrs. Glenn | |
| Murielle Telio | ... | Misty Mountains | |
| Gil Gerard | ... | Bergen Paulsen | |
| Daisy Tahan | ... | Jessica | |
| Kim Basinger | ... | Judith Kuttner | |
| Jack Kilmer | ... | Chet | |
| Lance Valentine Butler | ... | Kid on Bike | |
Set against the backdrop of 1977 Los Angeles, The Nice Guys opens when single father and licensed PI Holland March (Gosling) is hired to investigate the apparent suicide of famous porn star Misty Mountains. As the trail leads him to track down a girl named Amelia (Qualley), he encounters less licensed and less hands-off private eye Jackson Healey (Russell Crowe) and his brass knuckles, both hired by the young hippie. However, the situation takes a turn for the worse when Amelia vanishes and it becomes apparent that March wasn't the only party interested. As both men are forced to team up, they'll have to take on a world filled with eccentric goons, strippers dressed as mermaids and even a possible government conspiracy. Written by @onecriticalgeek
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Shane Black doing what he excels at the most and doing it at the very best: "The Nice Guys" is funny, smart, action packed, violent, irreverent, thrilling and entertaining all at the same time without ever having tonal shift problems, it molds so many elements into one cohesive package that will give you a blast at the cinema and won't alienate you even with the sudden appearance of a giant talking bug in a car.
What has to be addressed immediately is the fact that if there was ever a prize for best on-screen chemistry for 2016 the race is already over, Crowe and Gosling light up the frame with an overwhelming energy, this is something we haven't seen in quite some time. Their job might be overlooked and discounted by some, but this is nothing short of genius, the way in which these two actors bring to life this story is illuminating, their timing, their banter, their personal dynamic, it is all in the brilliant script, but what the two of them do is elevate it to levels that I think not even Shane Black could have ever imagined. I mean they just had to look at each other for me to curl up laughing stupid. They don't have a false beat. And when you try to look back and think of who was better as soon as you point to one, you feel like you've made the wrong choice. Crowe's stoicism is played to perfection and when he boils up it pays off incredibly. Then there's Gosling who is recently on a roll; he was a highlight of "The Big Short" and showed comedic chops I didn't know he had, then comes this film and if there was ever any doubt of his comedic timing believe me is dead. The way he moves is enough to make you marvel and laugh at what he's doing, he has multiple moments of physical comedy that had me rolling on the floor, not to mention his witty, smart-ass dialogue that he nails.
And we aren't even halfway done with the cast yet, everybody in this film not only is cast perfectly, but kills it. Kim Basinger's casting as a callback to "L.A. Confidential" is a great choice, but then getting into the more important characters: Matt Bomer is terrifying as the cold blooded killer and it is so important to be so if you want to give the audience catharsis when the final showdown happens. It is great to see Keith David again on screen in this kind of supporting character role that he always, unequivocally shines in, he is truly one of the bests in my opinion, there isn't wrong he can do. Finally Angourie Rice is a revelation, she steels the movie from Crowe and Gosling so well it feels like this movie is about the three of them together.
Now, all of these actors get the chance to do such amazingly inspired work thanks to Shane Black. His screenplay presents us to a group of characters that are brilliantly well written and developed and tied into a plot that is absorbing and crazy. I don't know if this film is better written or directed because the two crafts combine seamlessly in this picture. There are so many moving elements and Black keeps up with all of them without ever leaving the audience behind or making them loose interest. moreover the way the setting is used is breathtaking and I mean that literally. He makes these characters move through Los Angeles and between a million easter eggs that I'm sure I missed half of, the locations give the film a whole other level of fascination, it has one of the best party scenes in recent memory. The greatness lies in the fact that story and setting feed each other and couldn't be taken apart, bringing to life a visual feast for the eyes that is grounded in story and character.
And there's still much to talk about: soundtrack, action and fight scenes, pace, cinematography, sound, all of these elements deserve a paragraph on their own. The excellence of filmaking in display here is in my opinion really remarkable. Does it have faults? Or course: it can occasionally digress into 70s visual extravaganza just for the sake of it, the plot is thrilling and all, yet come to really think of it, unfortunately, it comes apart slightly too easily, but these are all details that have to be addressed, yet they did not take away from the overall experience which is one of the funniest and most thrilling rides of the year that I cannot wait to check out again in the theater with a bunch of friend.