While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future.While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future.While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future.
- Won 6 Oscars
- 243 wins & 297 nominations total
Amiee Conn
- Famous Actress
- (as Amiée Conn)
Mike Fallin
- Free way Krump Dancer 'Hat Kid'
- (credit only)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to composer Justin Hurwitz, all the piano performances featured in the film were first recorded by pianist Randy Kerber during pre-production. Ryan Gosling then spent two hours a day, six days a week in piano lessons learning the music by heart. By the time filming had begun, Gosling was able to play all the piano sequences seen in the film without the use of a hand double or CGI.
- GoofsThe day Sebastian visits Mia at her coffee shop, Mia entered work wearing black pants with a yellow bag. When Mia leaves work, she is wearing a blue skirt with a red bag. When they show a long shot of Sebastian and Mia walking on the lot, she is seen to be wearing black pants. Then in the next shot, she is wearing the skirt again.
- Crazy creditsThere is a title card at the very beginning that says "Presented in CinemaScope."
- ConnectionsFeatured in Roeper's Reviews: Richard Roeper's Top 16 Films for 2016 (2016)
- Soundtracks1812 Overture
Written by Pyotr Ilyich Tchaikovsky
Performed by Kálmán Berkes and Tokyo Musashino Academia Musicae Symphony Orchestra (as the Tokyo Musashino Academia Musicae Chorus and Symphony Orchestra)
Courtesy of Hungaroton Classic
By arrangement with Source/Q and Naxos
Featured review
Love letter to Hollywood .. and a Heck of a Film
Writer/Director Damien Chazelle, who already had a nice career going for him, explodes into the Bigtime with this delightful, mesmerizing, and completely unexpected ode to Tinseltown.
The opening sequence (satirized on the Golden Globes) really does not do the rest of the film justice. It is as if the cast from the FAME remake grew up, had children of their own, and then those children hijacked the Santa Monica freeway to do a 10 minute flash-mob dance sequence.
From that point on, the film is hypnotic.
We segue to a love story as pure as anything since the great dramas of the 1940s. If the film had been in B&W, you would almost have expected to see Bette Davis in a 3-hankie tear jerker.
Except for the musical interludes, of course, which are pitch perfect and totally wonderful.
Gosling is surprising as a leading man expected to do song and dance, but he delivers the goods.
Stone, who was supposed to be "the next big thing" after Easy A (2010), steals the film and possibly the hearts of the audience as well. The awards should flow like water, and she will deserve every one.
As I said, deep in the DNA this is an ode to Hollywood. The film industry has always had issues with endings -- back in the day they would film several different endings per picture -- and then decide at the last minute which to use. Here Chazelle pays homage to that by giving us an alternate ending, along with the "real" ending, along with a closing sequence designed to remind everyone that nothing in Hollywood is actually real, but everything still can be really fun.
Destined to be a classic. Recommended.
((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
The opening sequence (satirized on the Golden Globes) really does not do the rest of the film justice. It is as if the cast from the FAME remake grew up, had children of their own, and then those children hijacked the Santa Monica freeway to do a 10 minute flash-mob dance sequence.
From that point on, the film is hypnotic.
We segue to a love story as pure as anything since the great dramas of the 1940s. If the film had been in B&W, you would almost have expected to see Bette Davis in a 3-hankie tear jerker.
Except for the musical interludes, of course, which are pitch perfect and totally wonderful.
Gosling is surprising as a leading man expected to do song and dance, but he delivers the goods.
Stone, who was supposed to be "the next big thing" after Easy A (2010), steals the film and possibly the hearts of the audience as well. The awards should flow like water, and she will deserve every one.
As I said, deep in the DNA this is an ode to Hollywood. The film industry has always had issues with endings -- back in the day they would film several different endings per picture -- and then decide at the last minute which to use. Here Chazelle pays homage to that by giving us an alternate ending, along with the "real" ending, along with a closing sequence designed to remind everyone that nothing in Hollywood is actually real, but everything still can be really fun.
Destined to be a classic. Recommended.
((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
helpful•724436
- A_Different_Drummer
- Jan 1, 2017
Movies & Series About Musicians
Movies & Series About Musicians
"The Idol," Purple Rain, and more toe-tapping stories about the magic of music.
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- LaLa Land
- Filming locations
- Griffith Observatory, 2800 E Observatory Rd, Los Angeles, California, USA(love dance in the planetarium)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $151,101,803
- Opening weekend US & Canada
- $881,104
- Dec 11, 2016
- Gross worldwide
- $471,985,260
- Runtime2 hours 8 minutes
- Color
- Sound mix
- Aspect ratio
- 2.55 : 1
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