A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.Written by
The film's Executive Music Producer Marius de Vries has been involved in some of the most culture defining recordings and soundtracks of the last 20 years. Marius music directed Baz Luhrmann's Moulin Rouge which resulted in a GRAMMY®. Marius also composed the score for Stephan Elliott's, Priscilla Queen of the Desert. See more »
When Mia checks her phone for her first audition in the opening scene, the date reads Monday, January 25th, the day that they filmed the scene. Howeve it is insinuated that it's Christmastime, and therefore her phone should read a date in December. See more »
[During her audition]
My aunt used to live in Paris. I remember when she used to come home, and tell us... these stories about being abroad. And... I remember... she told us once that she jumped into the river once. Barefoot. She smiled.
Leapt without looking, / And tumbled into the Seine. / The water was freezing. / She spent a month sneezing, / But said she would do it again. / Here's to the ones who dream, / Foolish as they may seem. / Here's to the hearts that ache. / Here's to the ...
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The Summit Entertainment logo has an old-time variant where it looks like a matte painting of a mountain in a box and the word "Summit" above it. See more »
The main characters in this Los Angeles romantic musical are Mia (Emma Stone), a coffee-shop employee with dreams of being an actress; and Sebastian (Ryan Gosling), a jazz pianist who aspires to open his own club that plays jazz like it was played in the good old days.
At long last: a movie released during the 2016 awards season that actually lives up to the hype!
Early in the film, there are two superb group musical numbers. The numbers that follow are more low-key relating only to the main characters but they are still well performed and executed.
The stories of career struggle within the broader narrative are very believable. They include the hell of auditioning to people who are too busy plus the desire to maintain the purity of a great music genre (jazz) while too often being told it is "a dying art".
Gosling takes a while to break into the role particularly where the singing is concerned but it's not long before he fits into the part quite nicely. Stone is superb throughout the film. She is even spot-on as an actress giving mediocre auditions. She's given a full range - and not just as a triple threat - and she fully lives up to the expectations especially during the song "Audition" near the end.
There is something uniquely enjoyable about Hollywood portraying itself. The movie also gives nods to great classic musicals like "Singin' in the Rain", "Les Demoiselles de Rochefort", and "Les Parapluies de Cherbourg" all the while being unique and standing out on its own. In addition, the set designs and photography add further to the film's greatness.
The reference to "Les Parapluies de Cherbourg" comes through strongly in the movie's final number. This scene is probably the best scene of any movie in 2016. It leaves one with so many mixed emotions and extreme on either side. The production number is magnificent while its mood is melancholy.
The teaming of director/writer Damien Chazelle with musical composer Justin Hurwitz is one of the best matches since Jacques Demy and Michel Legrand in the 1960s.
1) Directing by Damien Chazelle
2) Acting by Emma Stone
3) Music by Justin Hurwitz
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