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La La Land (2016)

PG-13 | | Comedy, Drama, Music | 25 December 2016 (USA)
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While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future.

Director:

Damien Chazelle

Writer:

Damien Chazelle
Popularity
284 ( 45)
Won 6 Oscars. Another 231 wins & 265 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ryan Gosling ... Sebastian
Emma Stone ... Mia
Amiée Conn ... Famous Actress
Terry Walters ... Linda (Coffee Shop Manager)
Thom Shelton ... Coffee Spiller
Cinda Adams ... Casting Director (First Audition)
Callie Hernandez ... Tracy
Jessica Rothe ... Alexis
Sonoya Mizuno ... Caitlin
Rosemarie DeWitt ... Laura
J.K. Simmons ... Bill
Claudine Claudio ... Karen (Waitress)
Jason Fuchs ... Carlo
D.A. Wallach D.A. Wallach ... '80s Singer
Trevor Lissauer ... Valet
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Storyline

Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart. Written by Eirini

Plot Summary | Plot Synopsis

Taglines:

Here's to the fools who dream.


Motion Picture Rating (MPAA)

Rated PG-13 for some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Hong Kong

Language:

English

Release Date:

25 December 2016 (USA) See more »

Also Known As:

LaLa Land See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$881,104, 9 December 2016, Limited Release

Gross USA:

$151,101,803

Cumulative Worldwide Gross:

$446,092,357
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS (DTS: X)| Dolby Atmos

Color:

Color

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

Emma Stone has loved musicals as a child ever since she saw Les Miserables when she was eight. Stone says that "bursting into song has always been a dream of mine." Stone's favorite film is Charlie Chaplin's 1931 bittersweet comedy City Lights. Some of Emma Stone's early work included the voice of a dog on The Suite Life of Zach and Cody. See more »

Goofs

At the Warner Brothers Lot, after Sebastian asked Mia if she was doing anything that night, the shot that focuses on Mia is flipped. See more »

Quotes

Mia: Maybe I'm not good enough!
Sebastian: Yes, you are.
Mia: Maybe I'm not! It's like a pipe dream.
Sebastian: This is the dream! It's conflict and it's compromise, and it's very, very exciting!
See more »

Crazy Credits

The Summit Entertainment logo has an old-time variant where it looks like a matte painting of a mountain in a box and the word "Summit" above it. See more »

Connections

Referenced in Scared Sheetless (2017) See more »

Soundtracks

Si Ridesta in Ciel L'aurora
(from 'La Traviata')
Written by Giuseppe Verdi
Performed by Symfonický orchester Slovenského rozhlasu (as Slovak Radio Symphony Orchestra) and Chorus
Courtesy of Naxos
By arrangement with Source/Q
See more »

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User Reviews

 
Love letter to Hollywood .. and a Heck of a Film
1 January 2017 | by A_Different_DrummerSee all my reviews

Writer/Director Damien Chazelle, who already had a nice career going for him, explodes into the Bigtime with this delightful, mesmerizing, and completely unexpected ode to Tinseltown.

The opening sequence (satirized on the Golden Globes) really does not do the rest of the film justice. It is as if the cast from the FAME remake grew up, had children of their own, and then those children hijacked the Santa Monica freeway to do a 10 minute flash-mob dance sequence.

From that point on, the film is hypnotic.

We segue to a love story as pure as anything since the great dramas of the 1940s. If the film had been in B&W, you would almost have expected to see Bette Davis in a 3-hankie tear jerker.

Except for the musical interludes, of course, which are pitch perfect and totally wonderful.

Gosling is surprising as a leading man expected to do song and dance, but he delivers the goods.

Stone, who was supposed to be "the next big thing" after Easy A (2010), steals the film and possibly the hearts of the audience as well. The awards should flow like water, and she will deserve every one.

As I said, deep in the DNA this is an ode to Hollywood. The film industry has always had issues with endings -- back in the day they would film several different endings per picture -- and then decide at the last minute which to use. Here Chazelle pays homage to that by giving us an alternate ending, along with the "real" ending, along with a closing sequence designed to remind everyone that nothing in Hollywood is actually real, but everything still can be really fun.

Destined to be a classic. Recommended.


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