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Journey's End (2017)

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Set in a dugout in Aisne in 1918, it is the story of a group of British officers, led by the mentally disintegrating young officer Stanhope, as they await their fate.

Director:

Saul Dibb

Writers:

Simon Reade (screenplay), R.C. Sherriff (novel) | 2 more credits »
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Popularity
3,133 ( 98)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Paul Bettany ... Lieutenant Osborne
Sam Claflin ... Captain Stanhope
Stephen Graham ... Second Lieutenant Trotter
Tom Sturridge ... Second Lieutenant Hibbert
Alaïs Lawson ... Angele
Andy Gathergood ... Sergeant-Major
Jack Riddiford Jack Riddiford ... Private Evans
Adam Colborne ... Private Graham
Elliot Balchin Elliot Balchin ... Private Peters
Theo Barklem-Biggs ... Private Watson
Asa Butterfield ... Second Lieutenant Raleigh
Derek Barr Derek Barr ... Captain Reid
Nicholas Agnew ... Corporal Pincher
Rupert Wickham Rupert Wickham ... General Raleigh
Miles Jupp ... Captain Hardy
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Storyline

Set in a dugout in Aisne in 1918, it is the story of a group of British officers, led by the mentally disintegrating young officer Stanhope, as they await their fate.

Plot Summary | Add Synopsis

Taglines:

Innocence Lost...Courage Found See more »

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for some language and war images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English | German | French

Release Date:

2 February 2018 (UK) See more »

Also Known As:

A Última Jornada See more »

Filming Locations:

Wales, UK See more »

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Box Office

Opening Weekend USA:

$11,798, 18 March 2018, Limited Release

Gross USA:

$156,164, 22 April 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Sam Claflin Sam Claflin follows here in the footsteps of his "father" Jeremy Northam Jeremy Northam. Northam plays Captain Stanhope in the 1988 British TV production of Journey's End Journey's End (1988) , and is Edward Walsh, father of Claflin's Jack Walsh, in the 2012 mini-series White Heat White Heat (2012). See more »

Connections

Version of Journey's End (1930) See more »

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User Reviews

 
A courageous journey
8 February 2018 | by TheLittleSongbirdSee all my reviews

Have always loved RC Sherriff's play 'Journey's End' ever since studying it twice in secondary school in English when studying World War I literature. 'Journey's End' is fascinating and powerful enough when reading it, it is even more so when talking about and analysing it when all the different perspectives, themes, conflicts and distinctions are picked up on.

This 2017 film adaptation lived up to my already high expectations and more. To me, it's one of 2017's (released this year here) best and most emotional films but sadly it is likely to go under-appreciated, due to being released very close to the Oscars/Academy Awards ceremony, not yet having a worldwide release (so far only restricted to three countries) and being alongside films that by type audiences are more likely to go and see. That's my feeling at the moment and here's to hoping in the future it will be proved wrong, because it does deserve much better than that. Not just because it is a wonderful film but also that as said giving a film that does an important subject justice and so far get a limited release in a centenary year is something of a disrespect.

'Journey's End' is very successful at capturing the spirit of Sherriff's play in themes and characterisation, with all the different varied perspectives, varied class distinctions and characters that easily could have been just world war clichés rightly given the complexity they have in the play. It is equally successful in not being stage bound or too stagy, a danger with play to film adaptations and a trap fallen into numerous times, capturing the tense claustrophobia of the setting while opening out the action that it feels cinematic without getting overblown.

There is a real sense of innocence, courageousness, conflict and tragedy, with the powers of loyalty and friendship being rays of hope in a hopeless situation. 'Journey's End' is an emotionally complex play and needs an emotionally complex film with all those themes present, something that we get here. This is not a film to be dismissed for having a familiar message, considering the different perspectives and varied characterisations (shell-shocked and conflicted captain, loyal and voice of reason "uncle" figure, the somewhat naïve youth, the coward, the comic relief) there is so much more to 'Journey's End' than just saying that "war is hell", far too simplistic a description for what it's trying to say.

On an emotional level, 'Journey's End' is tremendously powerful, making its points without being heavy-handed, being incredibly heartfelt that you really care for the characters' fates and find it very difficult to hold back tears and making one really appreciate the bravery of those who fought and not to forget them or take them for granted.

Visually, 'Journey's End' is very well made. Evocative and handsome in design, bleakly atmospheric in how things are lit and colour scheme and there is a suitably claustrophobic dynamic to the camera work that opens up the action and captures the full horrors of this period. The music is suitably urgent and melancholic, didn't find it that intrusive personally.

Dialogue wrenches the gut, breaks the heart and provokes thought, and brings out every ounce of what makes the characters more than just world war clichés. Can't fault the continually compelling and powerful storytelling or the direction.

'Journey's End' is very strongly acted, especially Sam Claflin in an intensely brooding and heartfelt performance as Stanhope, a very conflicted character with plenty of meat to him and a representation of how those were damaged by war and seen what it is like. Paul Bettany plays Osborne with plenty of sympathetic authority, being the figure all live up to and holds everything together. Asa Butterfield captures Raleigh's youthful naivety, with his point of view of war initially being a less realistic one, but that was true of a lot of men who fought in the war being proud to fight for their country without knowing what they were in for.

Toby Jones provides some welcome comic relief as Mason without jarring, and Stephen Graham similarly as Trotter. Robert Glenister is a commanding colonel and Tom Sturridge is a convincing cowardly figure.

Overall, a brilliantly done and powerful film. 10/10 Bethany Cox


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