Rogue One: A Star Wars Story

Rogue One is, by far, the best Star Wars film to be released since the original trilogy. A fantastic cast of original characters, still hitting on the popular characteristics from previous fan favourites, seek to complete a daring mission which ultimately sets up A New Hope and the whole Star Wars saga.

Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?

Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.

There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.

An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.

Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.

A Star Wars movie that hit hard before, but after seeing Andor, it hits even harder.

Rogue One is a masterpiece of cinematography, acting, visual effects, and writing (even though it takes a while to get going at first).

This movie is about the story of how ordinary people risk everything to get the plans to the Death Star, and they must endure hardships, even if it costs them their lives.

Jyn Erso is the main character, the daughter of a Death Star engineer who was against the Empire and designed a weak spot in the Death Star. The movie is about her being recruited by the rebels, and they must get the plans to the star, along with Andor and other characters.

The movie takes a while to get going, with all those points of view and jumps from character to character, planet to planet.

It's only halfway through the film, when they leave Jedha and go looking for Galen Erso (The Engineer), that the film really takes off. And what more can we say about the ending? It's a masterpiece. It's tragic and realistic because it shows that rebellions aren't easy and cost lives, and it doesn't reveal all the suffering the characters must endure.

The script is well-crafted; it could have been refined to remove some minor inconsistencies, but it was still quite good.

After watching the Andor series, this film definitely hits harder, especially seeing everything Andor suffered, what he had to abandon to reach this point to serve with the rebels. Some of his lines carry more weight after what we saw in the series, and his connection with Jyn Erso makes it even more tragic because he has someone who understands him, someone who also lost everything, and until the end, they are connected in their purpose. The final shot of them embracing as the planet is destroyed definitely hits home after Andor.

Rogue One is definitely an intense, emotional, and phenomenally constructed film, especially after seeing Andor. It has its minor script flaws, but otherwise, I can say it's a masterpiece.

9.0 Stars.

Without exaggeration, this is easily the best offering in the franchise since 'Return of the Jedi'. Yes, it is a spin-off of a simple set-up line from the original film, but it manages to really craft it's own story around the demands of where the plot has to go by the end. While it's definitely not a character driven movie, I was surprised with the amount of time given to our key protagonists and the effort to at least make them intriguing.

The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.

The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.

One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.

On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.

If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.

Rogue One stands head and shoulders above every other Disney-era Star Wars film. While The Force Awakens, The Last Jedi, The Rise of Skywalker, and Solo struggled to find a fresh identity or narrative weight, Rogue One succeeds by doing exactly that, grounding the saga in the grit and gray of war.

The film boldly shifts perspective, focusing not on Jedi or chosen heroes, but on ordinary people caught in extraordinary circumstances. It masterfully fills a major plot gap: the Death Star's fatal weakness; while telling the gripping story of the Rebel Alliance's first true victory. With morally complex characters like Cassian Andor and Galen Erso, Rogue One paints a world where good and evil aren't so easily defined. Diego Luna brings depth and ambiguity to Cassian, while Mads Mikkelsen's Galen shows how even those within the Empire can resist in subtle, powerful ways.

Visually, the film is stunning, with rich, immersive worlds and breathtaking battle sequences. Michael Giacchino steps up to score the first Star Wars film without John Williams, and while the maestro is missed, Giacchino delivers a memorable soundtrack that captures the emotional core of the story.

Though the pace occasionally feels rushed, leaving some character arcs a bit underdeveloped, the film's grounded tone, compelling narrative, and bold, tragic ending elevate it far above its peers.

Rogue One dares to be different, and in doing so, it succeeds brilliantly. It's dark, emotional, smart, and unforgettable. A must-watch that proves Star Wars can evolve without losing its soul.

What has made Star Wars into the internationally recognized genre that it is today? Two things in particular - original material and a touch of humor/wit. Rogue One is a plethora of both. In addition, even in an area where previous Star Wars may have lacked (perhaps even overlooked, understandably), the acting is superb, top of the line. Forest Whitaker may be the most recognizable name in the entire cast, and he kills it every moment as his brilliant, rebellious character, Saw Gerrera. But he is merely the tip of the iceberg in what becomes an epic, near-perfectly written plot that connects episodes III and IV. It is haunting, it is funny, devastating, cheesy, and it is wonderful. It IS Star Wars.