World War II American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
In 1986, Saroo was a five-year-old child in India of a poor but happy rural family. On a trip with his brother, Saroo soon finds himself alone and trapped in a moving decommissioned passenger train that takes him to Calcutta, 1000 miles away from home. Now totally lost in an alien urban environment and too young to identify either himself or his home to the authorities, Saroo struggles to survive as a street child until he is sent to an orphanage. Soon, Saroo is selected to be adopted by the Brierley family in Tasmania, where he grows up in a loving, prosperous home. However, for all his material good fortune, Saroo finds himself plagued by his memories of his lost family in his adulthood and tries to search for them even as his guilt drives him to hide this quest from his adoptive parents and his girlfriend. Only when he has an epiphany does he realize not only the answers he needs, but also the steadfast love that he has always had with all his loved ones in both worlds.Written by
Kenneth Chisholm (email@example.com)
Producers Iain Canning and Angie Fielder recalled meeting the real life Saroo Brierley and their first impressions of him. Fielder said: "When you meet Saroo you get a sense of how he managed to survive on the streets of Kolkata as a five-year-old. There is something about him as a person that is very resilient and industrious and confident. At the same time he's a quintessential Aussie guy with a larrikin sense of humor." Whilst Canning said: "I was very taken by how family orientated he is, both with his Australian family and with his birth family in India. At the time, he was genuinely surprised that his journey had captured the public's imagination, and had also captured the imagination of Google." See more »
The bus that zooms past Saroo in Calcutta while he is running away from his captors as well as buses shown in a later shot were not there in Calcutta in 1986. These models were introduced in the 2000s. See more »
I'm sorry you couldn't have your own kids.
What are you saying?
We... we... weren't blank pages, were we? Like your own would have been. You weren't just adopting us but our past as well. I feel like we're killing you.
I could have had kids.
We chose not to have kids. We wanted the two of you. That's what we wanted. We wanted the two of you in our lives.That's what we chose.
That's one of the reasons I fell in love with your dad.
Because we both felt as if... the world has enough ...
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There is no opening title card, only opening credits; the title card doesn't appear until the end. See more »
Do you know the feeling you get when you go into a film with no expectations at all or thinking it might be decent, and the film turns out to not only be good, but blows you away by how amazing it ends up being? That's LION, and if you've been watching films for several years like me thinking you've seen everything committed to cinema, it's a fantastic feeling to be proved wrong.
Let me explain to you exactly what I experienced while watching LION: Almost half of the film is in Hindi, which lends incredible authenticity to the story, not that BS where they have actors in which English is their second language speak English for the sake of sparing the American audience from reading subtitles (I'm looking at you, MEMOIRS OF A GEISHA, and every other Hollywood movie ever made). In fact, the entire first act takes place in India, where about 40 minutes of the film rides on the shoulders of a first time child actor – played by the wonderful Sunny Pawar – and it's one of the best first acts I've seen in years. Think of it like the silent first act of Wall-E; it feels like it can be its own film, yet the filmmakers do a great job connecting the story once Dev Patel comes on screen.
On top of that, the filmmaking is impressive. The script is fantastic, the cinematography is lush, the soundtrack complements the film really nicely, and the pacing is on point where it rarely feels like it's dragging, despite the story taking place over the course of 25 years. Every actor in here is also terrific in their roles. As stated earlier, Sunny Pawar makes a compelling lead for the first third of the film. If Oscars were given to kid actors, he would have a damn good chance at winning one. For the last two thirds, Dev Patel more than carries the rest of the film, giving an emotionally naked performance worthy enough to top his role in SLUMDOG MILLIONAIRE. Finally, Rooney Mara, Nicole Kidman, and David Wenham are ace, despite all of them having limited screen time.
In a time where diversity is being talked about more in the film industry, LION makes a compelling case for having diversity in storytelling. It's not about a guy meeting his girlfriend's parents for the first time. It's not about a group of friends going in a cabin in the woods. It's not even about a guy/girl struggling with the death of his/her father/mother/son/daughter/dog. No, LION is a personal story unique to South Asians growing up in India, and it's refreshing and easily one of the best films the year has to offer. Don't dismiss this as yet another Oscar bait movie put out by the Weinstein Company – it probably is one. But the film is much more than that. With a distinct vision from director Garth Davis, LION offers an enthralling story that deserves to be seen by everyone.
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