A five-year-old Indian boy is adopted by an Australian couple after getting lost hundreds of kilometers from home. 25 years later, he sets out to find his lost family.A five-year-old Indian boy is adopted by an Australian couple after getting lost hundreds of kilometers from home. 25 years later, he sets out to find his lost family.A five-year-old Indian boy is adopted by an Australian couple after getting lost hundreds of kilometers from home. 25 years later, he sets out to find his lost family.
- Nominated for 6 Oscars
- 59 wins & 110 nominations total
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- (as Uday Shankar Paul)
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Fortunately, 'Lion' was a film that had great potential and mostly lived up to it. Cannot say that for many recent viewings, with a few too many wastes of good concepts and potential (along with wastes of talent, that is a bugbear of mine because it feels like somewhat of a slap of the face) so that there was a film that did not waste it was refreshing and restored a bit of faith. It is a very good film, albeit it was very nearly a great film. That it wasn't the great film all the way through than when it started is something of a shame, but there are so many great qualities all the same.
It is an uneven film sure, starting with the negatives. The second half is not as strong as the first half, it is not as compellingly paced and the clarity of storytelling is less good, some of it feeling vague. That is not to say it is unwatchable, it is still touching in spots in a film that is quite the emotional experience.
Rooney Mara also came over to me as the cast's weak link. She didn't look very interested and her character felt like a misplaced and underwritten plot device.
However, 'Lion's' first half is wonderful. Hugely compelling and very emotional, and what is meant by why the film very nearly was great. The whole film though was poignant, and count me in as another film who has become tougher generally over the year but got through several tissues by the film's end.
Throughout, 'Lion' is beautifully filmed and complements the beautiful sceneries very well. Scoring and sound never come over as obvious or intrusive. The script provokes thought, charms and moves. The story is never dull and the emotional impact never feels forced or manipulative.
Garth Davis does a very good job directing. Aside from Mara, the cast are very good. Dev Patel's performance here is perhaps the best seen from him personally and David Wenham and Nicole Kidman are similarly excellent. The star here though is Sunny Pawar who is just outstanding, have not seen a child performance this good in a long time, it is perhaps among the best ever.
In conclusion, very good and very nearly great. 8/10 Bethany Cox
This happens there everyday..and most children never find their way back. They either end up dead or in the hands of heartless people who use children for various illegal / unethical operations. The fact that one boy survived this situation and went on to tell his story is very inspiring and this fantastic film did justice to showing it on screen.
There wasn't a single scene in the movie which doesn't suck you in. Hats off to Dev Patel. He managed to make you feel the character's pain just by the way he looked at a jalebi (indian sweet that his brother and him fantasized about back in India). Special shoutout to the young actor who played little Saroo. His performance blew me away. It would be difficult to watch any child go through what he did and the fact that he was absolutely adorable looking made it even harder.
The movie explores some great themes: What happens to lost children in developing countries? How do poor, illiterate citizens of a country go about finding their lost children...who helps them? What are the dangers faced by these lost children? Why do certain people choose to adopt? How do adopted children adapt to their surroundings? Especially when they're transplanted so many miles away from home where they do not even speak the language. Do children every fully recover from traumatic childhood experiences? Does one forget their original family if they never see them again after the age of 5? As an adopted child do you ever completely feel like you fit into your new life? What is the bond with your adoptive parents like? The film touches upon all these themes while primarily being about the physical and emotional journey of a young man finding his way back home with very few clues to work with.
I kid you not, I could hear the whole theatre crying during several parts of the movie and most people had tissues in their hands. So be prepared. If you're in the mood for a heart wrenching drama with an uplifting ending, go watch this one once its out! The lead cast as well as supporting members have all done a wonderful job. You will not be disappointed!
Let me explain to you exactly what I experienced while watching LION: Almost half of the film is in Hindi, which lends incredible authenticity to the story, not that BS where they have actors in which English is their second language speak English for the sake of sparing the American audience from reading subtitles (I'm looking at you, MEMOIRS OF A GEISHA, and every other Hollywood movie ever made). In fact, the entire first act takes place in India, where about 40 minutes of the film rides on the shoulders of a first time child actor – played by the wonderful Sunny Pawar – and it's one of the best first acts I've seen in years. Think of it like the silent first act of Wall-E; it feels like it can be its own film, yet the filmmakers do a great job connecting the story once Dev Patel comes on screen.
On top of that, the filmmaking is impressive. The script is fantastic, the cinematography is lush, the soundtrack complements the film really nicely, and the pacing is on point where it rarely feels like it's dragging, despite the story taking place over the course of 25 years. Every actor in here is also terrific in their roles. As stated earlier, Sunny Pawar makes a compelling lead for the first third of the film. If Oscars were given to kid actors, he would have a damn good chance at winning one. For the last two thirds, Dev Patel more than carries the rest of the film, giving an emotionally naked performance worthy enough to top his role in SLUMDOG MILLIONAIRE. Finally, Rooney Mara, Nicole Kidman, and David Wenham are ace, despite all of them having limited screen time.
In a time where diversity is being talked about more in the film industry, LION makes a compelling case for having diversity in storytelling. It's not about a guy meeting his girlfriend's parents for the first time. It's not about a group of friends going in a cabin in the woods. It's not even about a guy/girl struggling with the death of his/her father/mother/son/daughter/dog. No, LION is a personal story unique to South Asians growing up in India, and it's refreshing and easily one of the best films the year has to offer. Don't dismiss this as yet another Oscar bait movie put out by the Weinstein Company – it probably is one. But the film is much more than that. With a distinct vision from director Garth Davis, LION offers an enthralling story that deserves to be seen by everyone.
A young Indian boy leaves their village with his older brother to do some "jobs", in one of these jobs he gets lost and cannot find his way back home. Pass some years and he's adopted by a family from Australia, and when that boy becomes an adult, he starts wondering where he's actually from.
It deals with aspects of origin and identity, and that we cannot escape from who we really are.
Superb, superb acting from everyone, from the little Indian boys, specially Sunny Pawar that plays the young Sarro, to Dev Patel who has clearly matured into a top class act and is endearing and touching playing the older Saroo.
I'm certainly watching it again.
Did you know
- TriviaTo internalize her character, Priyanka Bose went to Madhya Pradesh to meet Kamla Munshi, the mother her character was based on: "My questions were basic and just by meeting her, I could tell how hard her life has been. I got down on my knees and hugged her and thanked her for her courage." When meeting Munshi she was told that she was declared crazy by many villagers in the small town for years, as she never gave up hope that her son would return one day.
- GoofsAt 1:06:21, Saroo is seen using Samsung Galaxy S in 2008, but the model was released in 2010.
- Quotes
Saroo Brierley: I'm sorry you couldn't have your own kids.
Sue Brierley: What are you saying?
Saroo Brierley: We... we... weren't blank pages, were we? Like your own would have been. You weren't just adopting us but our past as well. I feel like we're killing you.
Sue Brierley: I could have had kids.
Saroo Brierley: What?
Sue Brierley: We chose not to have kids. We wanted the two of you. That's what we wanted. We wanted the two of you in our lives.That's what we chose.
[pause]
Sue Brierley: That's one of the reasons I fell in love with your dad.
[pause]
Sue Brierley: Because we both felt as if... the world has enough people in it. Have a child, couldn't guarantee it will make anything better. But to take a child that's suffering like you boys were. Give you a chance in the world. That's something.
- Crazy creditsAfter the final credits, there's an earlier shot with the boys on the train tunnel and the credits "In loving memory of Guddu".
- Alternate versionsThe Extended Australian Edition runs approx. 12 minutes longer.
- SoundtracksAaja Nindiya Aaja Nainan Beech Sama Ja
Written by Khayyam
(Saregama India/Mushroom Music)
Performed by Lata Mangeshkar
Licensed courtesy of Saregama India
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Un camino a casa
- Filming locations
- Ganesh Talai, Khandwa, Madhya Pradesh, India(The home of the Saroo)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $51,738,905
- Opening weekend US & Canada
- $123,360
- Nov 27, 2016
- Gross worldwide
- $140,853,810
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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