The crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.
After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to undo Thanos' actions and restore order to the universe.
Robert Downey Jr.,
We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson's case, by shouting out one word - SHAZAM. - this streetwise fourteen-year-old foster kid can turn into the grown-up superhero Shazam.
A lonely woman befriends a group of teenagers and decides to let them party at her house. Just when the kids think their luck couldn't get any better, things start happening that make them question the intention of their host.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
The new story follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three headed King Ghidorah. When these ancient superspecies, thought to be mere myths, rise again, they all vie for supremacy, leaving humanity's very existence hanging in the balance.
It's revealed that Ghidorah can regenerate his heads after Godzilla bites his left head off, which makes sense as he is said to have inspired the legends of the Greek Hydra. Godzilla kills the middle head by incinerating it with his nuclear pulses in his Burning Form, just like how Hercules slew the Hydra by burning off its heads so they couldn't regenerate. And even after Godzilla vaporizes the rest of his body, the center head is shown still alive and struggling in Godzilla's jaws, just like how the mythical Hydra had one immortal head that lived even after Hercules severed it and forced him to bury it beneath a rock. See more »
The fictional Isla de Mara, geographically placed at the border between Texas and Tamaulipas, is too far North to exhibit the kind of tightly-packed, colonial Spanish architecture shown in the film. This type of urban layout and construction is more appropriate to colonial towns in Central and Southern Mexico. (To wit, street-level scenes were in fact shot in the preserved historical district of Santo Domingo in Mexico City. See more »
Listen to me. They'll *think* it's one o' them. You use the wrong *frequency* on one of 'em - and you're gonna be responsible for a thousand San Franciscos.
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Do you like loud booms? Do you like big visual spectacles? Godzilla certainly delivers an audio and visual treat that can't go unnoticed, but there are elements of the film that stand out for all the wrong reasons.
I've seen a large number of 10/10 reviews for this film and although I can appreciate the that the film certainly delivers on the titan battles, and the Godzilla on-screen time moments, the general takeaway from the film is somewhat of a 'meh' feeling purely due to what happens between those giant fighting spectacles. The pacing of the film is somewhat fast, which of course isn't necessarily a bad thing when we all know that the real meat of the film lies in the main event. I would have really liked the film to have slowed down to explore the unique moral issues that they had decided to feature, but again I understand that this is mainly monster film and such exploration of themes isn't crucial to the film.
The human characters mostly all fall flat, with the main father character being especially cringe worthy. A lot of the 'experts' in the film (the scientists, military personnel) have been given comedic traits which often results in jokes that are completely out of place and consequently devoid of all humor. For example, during one point in the film they're talking about the name of an ancient creature which is pretty significant, and due to not being able to understand the scientists accent, one of the comedic characters interprets the name as gonorrhea... Now I understand that this is meant to be a film about giant monsters, but the performances provided by the human cast really are painful at times.
Leaving the mostly terrible human cast issue aside, I have to give credit where credit is due, and that is in regards to the CGI, VFX, and audio work. Although the CGI isn't drastically different from the 2014 film, where it is noticeable is when the live footage of the humans is interwoven with the monsters trampling above them. It really was impressive to see the actors in the same scene as the monsters, with debris flying, and not really being able to tell that it's all CGI...but that just may be the inner nerd paying too much attention to the details.
The audio is really fantastic in terms of the sound effects and the overall mixing. The roars are loud, and the general sound of destruction has depth and impact. What's nice is that there are a few moments of silence, and some choir-esque soundtracks to lift up bring life and meaning to some scenes.
I suppose my main issue with this film is tied to my initial expectations. The trailers showed Something quite poetic and moving with its dramatic soundtrack and beautiful artistic aesthetic in terms of how the monsters were portrayed, but what you get is more of a generic monster movie, with some promising moments that never quite deliver anything meaningful or new.
In general an excellent monster movie which deserves 7 stars for its visual and audio effects alone, but sadly nothing new or inspiring to write home about.
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