6.8/10
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16 user 116 critic

Mountains May Depart (2015)

Shan he gu ren (original title)
Not Rated | | Drama, Romance | 30 October 2015 (China)
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1:56 | Trailer

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The life of Tao, and those close to her, is explored in three different time periods: 1999, 2014, and 2025.

Director:

Zhangke Jia

Writer:

Zhangke Jia (screenplay)
22 wins & 38 nominations. See more awards »

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Cast

Credited cast:
Tao Zhao ... Shen Tao
Yi Zhang ... Zhang Jinsheng
Jing Dong Liang Jing Dong Liang ... Liang Jangjung aka Liangzi
Zijian Dong ... Zhang Daole aka Dollar
Sylvia Chang ... Mia
Sanming Han ... Liangzi's friend
Rest of cast listed alphabetically:
Patrick Harvey Patrick Harvey ... Train Passenger
Russell Lambe Russell Lambe ... Golfer
Lu Liu ... Liang's Wife
Zishan Rong ... Zhang Daole aka Dollar (Child)
Anna Sasson Anna Sasson ... Travel clerk
Yee Yang Yee Yang ... Travel clerk
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Storyline

China, 1999. Childhood friends Liangzi and Zhang are both in love with Tao, the town beauty. Tao eventually decides to marry the wealthier Zhang. They soon have a son he names Dollar... From China to Australia, the lives, loves, hopes and disillusions of a family over two generations in a society changing at breakneck speed. Written by Ipsith

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

China | France | Japan

Language:

Chinese | Mandarin | Cantonese | English

Release Date:

30 October 2015 (China) See more »

Also Known As:

Mountains May Depart See more »

Filming Locations:

Fenyang, Shanxi, China See more »

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Box Office

Opening Weekend USA:

$4,691, 19 February 2016, Limited Release

Gross USA:

$80,244, 22 May 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Filming in Perth took place between 8 and 11-2-2015. See more »

Goofs

The young boy who plays Tao's son in 2014 is also part of the crowd of children that watches her perform at the new year's celebrations in 1999. See more »

Quotes

Mia: The hardest thing about love is caring.
See more »

Crazy Credits

The opening credits appear more than forty minutes after the beginning of the movie. See more »

Soundtracks

Take Care
Performed by Sally Yeh
See more »

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User Reviews

 
Two thirds excellent, one third clumsy
27 December 2015 | by rubenmSee all my reviews

Director Zhangke Jia is not afraid to tackle the problems of modern China, and 'Mountains May Depart' is no exception. The film touches upon issues such as growing inequality, poor working conditions and corruption, but the central theme is the price the country is prepared to pay for its obsession with material progress.

The film is set in Fenyang, a northern coal mining city and the director's hometown. In 1999, at the eve of the new millennium, eighteen year old Tao (played by the director's wife Tao Zhao) has to choose between two suitors: the honest but ordinary coal miner Liangzi and the flashy bragger Zhang. She sees right through Zhang's bravado, but can't resist the promise of a better life, symbolized by his red Volkswagen, 'perfect for the next century'. Liangzi feels humiliated and leaves town.

Fifteen years later, Tao is well-off, but divorced and unhappy. Her seven year old son is living the good life with his father in Shanghai. Liangzi, in the mean time, is terribly ill and returns to Fenyang. Filled with remorse, Tao helps him financially but doesn't seem to be able to relate to him on an emotional basis.

Flash-forward another ten years into the future, and Tao's son is living with his father in Australia. He had to leave China, it turns out, because of anti-corruption campaigns. The boy is a spoilt and clueless brat, who refuses to speak Chinese to his father, but finds some emotional warmth with his Chinese teacher.

The first two parts of the film are excellent. Tao's moral choices, the contrast between progress and tradition, the power of money - it's all shown in a beautiful heartfelt way. The director anchors the story with recurring images, like a tall pagoda on the banks of the Yellow River, and spices it with small symbolic items like dumplings and keys. An interesting feature is the changing aspect ratio: in the first episode the screen is almost square, and it widens until it is widescreen in the last episode. Another feature is the way dialogues are filmed: repeatedly the director frames only one participant. And a third peculiarity are some high-impact scenes without a clear meaning or function in the story: a crashing military plane, a coal truck losing some of its cargo, a nervous caged tiger.

The sad thing about this movie is that the third part is very different from the first two parts, and lacks the quality of it. Not only are we introduced to different protagonists, also in this part the dialogue and acting are clumsy and unnatural, the story lacks focus and the scenes seem pointless. It's as if the director loses his golden touch when the story leaves China.

Still, in this last episode, the message is hammered home: the strive for material wealth leads to emotional poverty.


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