In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
A washed up monster chaser convinces the U.S. Government to fund a trip to an unexplored island in the South Pacific. Under the guise of geological research, the team travels to "Skull Island". Upon arrival, the group discover that their mission may be complicated by the wildlife which inhabits the island. The beautiful vistas and deadly creatures create a visually stunning experience that is sure to keep your attention.Written by
Third collaboration between John Ortiz and Shea Whigham. They previously starred together in 'Pride & Glory' (2008) and 'Silver Linings Playbook' (2012). See more »
Despite being an alleged former SAS member, James Conrad not only "sweeps" (passes the muzzle of his weapon across the bodies of someone he doesn't want to shoot) several people, he clearly fires directly over the head of Mason Weaver while she is standing within five feet of him. Any trained professional would avoid both of these as they could easily result in the friendly fire injury or death of a team member. See more »
Mark my words. There'll never be a more screwed up time in Washington. But we can't let it stop us.
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There is a scene in the closing credits: Marlow returns to America and reunites with his family. See more »
Movies used to be fun. Genuinely fun. Kong: Skull Island is a throwback to the era when movies were fun - like, Stars Wars fun. Like Jaws fun. That kind of fun. The leads embody characters that are all understandable and genuinely likable. The plot isn't stuffed with technical geek references and "easter eggs" that weigh down other universe-building films. From the fire- singed Kong fur to the slick skull crawler tongues, the special effects are brilliantly detailed and animated. And it's genuinely refreshing to watch an action/monster film in which native peoples are depicted with dignity and respect, and where black and Asian characters aren't used as props or fodder for violence (admittedly, the film could have gone further with this, but I sensed some progress being made). Kong: Skull Island isn't Life is Beautiful. It isn't Casablanca. But it is genuinely, thrillingly, rigorously fun. It has heart, scales, teeth and a ferocious roar. Monster movies are back. Get in line. Hail to the King.
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