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The Lady in the Van (2015)

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A man forms an unexpected bond with a transient woman living in her van that's parked in his driveway.


Nicholas Hytner


Alan Bennett (screenplay), Alan Bennett (memoir)
4,224 ( 2,091)
Nominated for 1 Golden Globe. Another 1 win & 5 nominations. See more awards »





Cast overview, first billed only:
Maggie Smith ... Miss Shepherd
Jim Broadbent ... Underwood
Clare Hammond Clare Hammond ... Young Margaret Fairchild
George Fenton George Fenton ... Conductor
BBC Concert Orchestra BBC Concert Orchestra ... The British Symphony Orchestra
Alex Jennings ... Alan Bennett
Jamie Parker Jamie Parker ... Estate Agent
Deborah Findlay ... Pauline
Roger Allam ... Rufus
Richard Griffiths Richard Griffiths ... Sam Perry
Pandora Colin Pandora Colin ... Fiona Perry
Nicholas Burns ... Giles Perry
Dominic Cooper ... Actor
Giles Cooper Giles Cooper ... Passer by
Tom Klenerman Tom Klenerman ... Tom Perry


The Lady in the Van tells the true story of Alan Bennett's strained friendship with Miss Mary Shepherd, an eccentric homeless woman whom Bennett befriended in the 1970s before allowing her temporarily to park her Bedford van in the driveway of his Camden home. She stayed there for 15 years. As the story develops Bennett learns that Miss Shepherd is really Margaret Fairchild (died 1989), a former gifted pupil of the pianist Alfred Cortot. She had played Chopin in a promenade concert, tried to become a nun, was committed to an institution by her brother, escaped, had an accident when her van was hit by a motorcyclist for which she believed herself to blame, and thereafter lived in fear of arrest.

Plot Summary | Add Synopsis


A mostly true story See more »

Motion Picture Rating (MPAA)

Rated PG - 13 for a brief unsettling image | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

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English | French

Release Date:

26 February 2016 (USA) See more »

Also Known As:

Dama iz dvorišta See more »


Box Office


$6,000,000 (estimated)

Opening Weekend:

£2,256,121 (United Kingdom), 15 November 2015, Limited Release

Opening Weekend USA:

$175,280, 22 January 2016, Limited Release

Gross USA:

$10,017,675, 5 June 2016
See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

1.85 : 1
See full technical specs »

Did You Know?


Adapted by Alan Bennett from his own 1999 stage play and 2009 BBC Radio 4 drama both of the same name. See more »


In the opening scene the windshield was cracked and had a blood stain. This cracked area and blood stain were much smaller than they were for the rest of the film. See more »


[first lines]
Alan Bennett: [typing] The smell is sweet, with urine only a minor component, the prevalent odor suggesting the inside of someone's ear. Dank clothes are there, too, wet wool and onions, which she eats raw. Plus, what for me has always been the essence of poverty, damp newspaper. Miss Shepherd's multi-flavored aroma is masked by a liberal application of various talcum powders, with Yardley's Lavender always a favorite. And currently it is this genteel fragrance that dominates the second subject, ...
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Crazy Credits

During the first part of the credits, a young Margaret can be seen playing the piano at her concert in King's Hall. See more »


Featured in Alan Bennett's Diaries (2016) See more »


Piano Concerto No. 1 In E Minor, OP. 11
Written by Frédéric Chopin
Performed by Clare Hammond and BBC Concert Orchestra
Orchestra Leader Charles Mutter
[The principal piano piece that recurs throughout the film is Chopin's Piano Concerto 1, using both the slow middle (second) movement "romanza" and the quick final (third) movement "rondo". Alfred Cortot was especially associated with playing Chopin's piano oeuvre.]
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User Reviews

Entertaining and touching
25 November 2015 | by gsygsySee all my reviews

A very entertaining, and occasionally touching, film written by Alan Bennett, a British National Treasure - though I'm sure he must be irritated, if not sickened, by being so described. His unique voice is instantly recognisable: self-knowing, self-mocking, never ever self-regarding. In spite of a string of stage and screen successes, he is essentially a man of letters: there is a literary quality about his work, and a good deal of his humour emerges from the contrast between the elegance of his sentences and the earthy, realistic observations they contain.

Bennett adapted his memoir about Miss Shepherd, whose residence is the eponymous vehicle (one of a series of vehicles, as it turns out) that occupies his driveway for fifteen years, for the stage, which brought director Nicholas Hytner and actors Maggie Smith and Alex Jennings on to the project. All three return for this film version, and an excellent job they make of it.

Bennett slyly juggles a number of subplots without you ever really being aware that is what they are. When they are finally identified and tied up in a package, it feels a little too neat and tidy after all that sprawl - an interesting comparison is Charlie Kaufmann's bleaker vision of a writer's struggle with a piece of work, Synechdoche New York - but Bennett's droll dialogue, and his clear-sightedness over the way compassion intertwines with guilt, compensates for the sense of well-made screenplay that dominates the closing section of the film.

Highly recommended.

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