GRINGO, a dark comedy mixed with white-knuckle action and dramatic intrigue, explores the battle of survival for businessman Harold Soyinka (David Oyelowo) when he finds himself crossing the line from law-abiding citizen to wanted criminal.
Ballerina Dominika Egorova is recruited to 'Sparrow School,' a Russian intelligence service where she is forced to use her body as a weapon. Her first mission, targeting a C.I.A. agent, threatens to unravel the security of both nations.
Two upper-class teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. Together, they hatch a plan to solve both of their problems-no matter what the cost.
An exhilarating mix of dark comedy, white-knuckle action and dramatic intrigue, Gringo joyrides into Mexico, where mild-mannered businessman Harold Soyinka (David Oyelowo) finds himself at the mercy of his back-stabbing business colleagues back home, local drug lords and a morally conflicted black-ops mercenary. Crossing the line from law-abiding citizen to wanted criminal, Harold battles to survive his increasingly dangerous situation in ways that raise the question: Is he out of his depth - or two steps ahead? Written by
An incredibly uneven piece that often trips over its tone and pace but is regularly enjoyable.
'Gringo (2018)' is an uneven and unsure piece, one that stumbles over its tone and pacing more times than you can count and yet manages to pick itself off the ground on pretty much every such occasion. Its massively slow start paves the way for an, at times, incredibly exciting but then strangely dull adventure with peaks and valleys of the highest and lowest proportions. It continuously cuts back to an all-star cast who sadly drain the life of the film as, though they are all brilliant, they each play narcissistic sociopaths who aren't nearly as radiant or interesting as David Oyelowo's eponymous hero - who is played to perfection and is earnestly enjoyable on many levels. The overall effect of the flick is an enjoyable but forgettable one, a sense that a better - if slightly more traditional - story resides somewhere inside this mess. It's not bad, but it's not great either. 6/10
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