1930's rural Nova Scotia. Maud Dowley, who suffers from rheumatoid arthritis, smokes heavily to deal with the pain. Because of her unusual gait from the arthritis, she is often mistaken as a stupid, incapable woman, that perception which does make her feel stupid and incapable. That view is held by her surviving family, her brother Charlie and her Aunt Ida with who she lives. After an action by Charlie, Maud decides to seek some independence, she the only applicant for a posted job as housekeeper for brusque Everett Lewis, a poor fish seller. Despite not wanting to hire a cripple which only adds to their antagonism, Maud negotiates to get the job for room and board. Their antagonistic relationship ends up including Everett exacting beatings on Maud whenever she doesn't do what he wants. To keep herself happy, Maud begins to paint the interior of the house with happy pictures and paint similar pictures on small cards, these folk art pictures how she wants to see the world. Maud's ...Written by
An entire replica of Lewis' house was built for the production. See more »
Despite the fact when in the hospital near the film's end, the year is 1970, there are shots of a modern doorknob, folder holder on the wall, and automatic door sensor. See more »
[sitting in front of Sandra's window and looking out]
A window. I love a window. A bird, whizzin' by. Bumblebee.
It's always different. The whole of life. The whole of life already framed. Right there.
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A brief clip in the end credits shows the real Maud Lewis with husband, Everett, from a 1976 black and white short, "Maud Lewis: A World Without Shadows." See more »