1930's rural Nova Scotia. Maud Dowley, who suffers from rheumatoid arthritis, smokes heavily to deal with the pain. Because of her unusual gait from the arthritis, she is often mistaken as a stupid, incapable woman, that perception which does make her feel stupid and incapable. That view is held by her surviving family, her brother Charlie and her Aunt Ida with who she lives. After an action by Charlie, Maud decides to seek some independence, she the only applicant for a posted job as housekeeper for brusque Everett Lewis, a poor fish seller. Despite not wanting to hire a cripple which only adds to their antagonism, Maud negotiates to get the job for room and board. Their antagonistic relationship ends up including Everett exacting beatings on Maud whenever she doesn't do what he wants. To keep herself happy, Maud begins to paint the interior of the house with happy pictures and paint similar pictures on small cards, these folk art pictures how she wants to see the world. Maud's ...Written by
During rehearsals, Sally Hawkins was painting three to four hours a day and had a dance teacher, a body movement person, who helped her study juvenile arthritis. She also had to practice her scenes without Ethan Hawke, who showed up on set a week before filming began, because of scheduling conflicts with The Magnificent Seven (2016). See more »
Near the end of the movie, Everett is sitting in the early 50's GMC pickup. Showing in the bed is a spare tire of 1980 up vintage. See more »
Oh! When I was their age did the work o' ten men. Clean this yard, chop wood...
Built that fence.
Yes, but - You were here, around people. Everett? If someone applied for that job? Hire them!
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A brief clip in the end credits shows the real Maud Lewis with husband, Everett, from a 1976 black and white short, "Maud Lewis: A World Without Shadows." See more »