A teenage girl with nothing to lose joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits.
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Walt Disney World.
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her ex-boyfriend drives by and asks her to go on a date with him. ... See full summary »
Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.
A New York woman (who doesn't really have an apartment) apprentices for a dance company (though she's not really a dancer) and throws herself headlong into her dreams, even as the possibility of realizing them dwindles.
Star, a teenage girl with nothing to lose, joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits.Written by
American Honey has won the Best Film Award at the 2018 second edition of LongTake Interactive Film Festival #LIFF2018 in Milan, Italy, June 20-24. Films in competition are selected from titles yet unreleased in Italian movie theaters. The winner is chosen by people attending the screenings. See more »
After Jake steals the white Cadillac and hits the road, the right side mirror housing is blue. In a later shot it's white again - the same color as the rest of the car. See more »
Where's that accent from?
So you're a southern girl. A real American honey like me. You know that song?
See more »
The closing credits, after the lead actor names, consist of a list of names, alphabetized by first name, with no indication of whether they are crew or cast -- no job titles or character names. And there are no opening credits. See more »
Beginning Of Anything
Written by Casey Potter Carlson & Bradley Lawrence Hale
Published by Officially
Quigley Publishing (BMI) & Sombear Music / These Are Songs of Pulse (ASCAP)
Performed by Quigley
Courtesy of Pusher, LLC See more »
Greetings again from the darkness. Movies are often classified according to genre: comedy, thriller, romance, drama, etc. Writer/director Andrea Arnold (Wuthering Heights, 2011) pays little attention to such labels, and seems to take immense pleasure in spotlighting a segment of society that rarely gets the silver screen treatment. Rather than bring us yet another lawyer, cop, teacher or writer, Ms. Arnold demands we pay attention to a group of misfits.
Our introduction to Star (Sasha Lane) comes from inside a dumpster as she and her young siblings are diving for food behind a grocery store, and afterwards hitchhiking for a ride back home. A chance parking lot meeting with an energetic young man named Jake (Shia LeBeouf) leads Star to take some drastic actions including joining Jake and his traveling troupe of free-spirited cohorts as they drive around the country selling magazine subscriptions and staying in cheap hotels. In between fabricated sales pitches, there is much alcohol, drugs, hip hop, and sex.
Jake is the top salesperson, but it's Krystal (Riley Keough) who supervises the group with threats, punishment and insults. She understands this is a captive audience with few options even asking Star "Will anyone miss you?" That question is at the core of what keeps this group together. The van gang is the only community to which they belong – the closest thing to family they have. The handbook's stated purpose may be to "make money", but fundamentally, these folks just want to fit in somewhere.
Director Arnold takes a quasi-documentary approach (similar to last year's Tangerine) that delivers a realistic feel to a world most of us have little knowledge of. Seeing these scam artists bounce through suburbs and rural areas, willing to take advantage of most anyone along the way, generates both empathy and disgust. By design, it's Star with whom we most relate. She clearly has a conscience, but is as naïve to the world as she is sensitive to her own desires. A simple question (used twice) is a kick in the gut to viewers, and the dreams and hopes of these misfits are most puzzling of all.
The use of music is exceptionally well done, leaning heavily on hip-hop and Rihanna (twice). The titular Lady Antebellum song has its moment, as does Darth Vader philosophy and a few flying creatures. Though the run time is entirely too long for an indie that really doesn't follow a traditional narrative, we don't mind too much since we are watching the birth of a new star. Sasha Lane makes an incredible debut, and though the director "discovered" her on spring break in Florida, the natural talent here runs deep. I'm not sure of the market for this film, but it seems obvious Ms. Lane has a much brighter future than her character – or any of the others riding along in the van.
16 of 32 people found this review helpful.
Was this review helpful to you?
| Report this