A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
A new philosophy professor arrives on a small town campus near Newport, Rhode Island. His name, Abe Lucas. His reputation : bad. Abe is said to be a womanizer and an alcoholic. But what people do not know is that he is a disillusioned idealist. Since he has become aware of his inability to change the world, he has indeed been living in a state of deep nihilism and arrogant desperation. In class, he only goes through the motions and outside he drinks too much. But as far as sex is concerned, he is just a shadow of himself now: depression is not synonymous with Viagra! For all that, he can't help being attracted to one of his students, pretty and bright Jill Pollard. He enters into a relationship with her which remains platonic, even if Jill would not say no to more. The situation remains unchanged for a while until, one day, in a diner, Abe and Jill surprise a conversation that will change the course of their lives dramatically...Written by
In piano recitals using a grand piano, the piano is placed with the soundboard open towards the audience and the performer on the audience's left, so the music is amplified and directed to the audience. In Jill's recital, the soundboard is open but facing away from the audience and Jill is on the audience's right. See more »
Kant said human reason is troubled by questions that it cannot dismiss, but also cannot answer. Okay, so, what are we talking about here? Morality? Choice? The randomness of life? Aesthetics? Murder?
I think Abe was crazy from the beginning. Was it from stress? Was it anger? Was he disgusted by what he saw as life's never-ending suffering? Or was he simply bored by the meaninglessness of day-to-day existence? He was so damn interesting. And different. And a good talker. ...
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I enjoyed this even more than my rating suggests and I haven't scored it higher because it didn't make me want to see it again straightaway, which is basically my rationale for giving a film tops. Why not? Because, I think, I simply loved everything about this film and sat smiling and tingling not sure what was coming next but loving it all and I don't think all that would happen second time. Daft? Yes, maybe but certainly this is a must see film, perfectly constructed with full on comedic script and intelligent and sparkling dialogue. There is even a bit of action! Woody gives a nod here to Strangers on a Train but i think he he were honest there is even more of 'Dexter'. Its that clever mix of logic, rationality, morality, sin and humour. Lots of little things amused me, I particularly liked the elements of 'chance' and the astute and sharp critiques of various philosophers. i also enjoyed being surprised and never quite knowing where this was going - just loving the ride. This is most defiantly like 'one of those early funny ones, indeed we may have to start referring to 'those later funny ones' if Woody Allen carries on at this rate. Excellent.
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