An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.
Winter, 1915. Confined by her family to an asylum in the South of France - where she will never sculpt again - the chronicle of Camille Claudel's reclusive life, as she waits for a visit from her brother, Paul Claudel.
Mara, a short film by Mike Figgis, is a dramatization of Mara-Marignan from Henry Miller's Quiet Days in Clichy. The 20 minute film was originally shot and broadcast as part of HBO's ... See full summary »
Director:
Mike Figgis
Stars:
Scott Glenn,
Juliette Binoche,
Lucie De La Falaise
A continuation from 'Oedipus at Colonnus', it follows Antigone, the daughter of Oedipus wishing to bury her dead brother, yet is stopped by her uncle Kreon.
Directors:
Ivo van Hove,
Tim Van Someren
Stars:
Juliette Binoche,
Obi Abili,
Patrick O'Kane
Rebecca is one of the world's top war photographers. She must weather a major emotional storm when her husband refuses to put up with her dangerous life any longer. He and their young ... See full summary »
A poet and writer gets fired from his job at a local newspaper after writing a review of his own work. To make ends meet he gets a job at the shipyard, a world completely different from the one he is used to.
Director:
Måns Månsson
Stars:
Anders Mossling,
Hilal Shoman,
Isaak Thedoridis
Claire, a 50-year-old divorced teacher, creates a fake Facebook profile of a 24-year-old woman. She finds a photo of a pretty young blonde and uses it. She has created an entirely fictional character, but why?
Director:
Safy Nebbou
Stars:
Juliette Binoche,
Nicole Garcia,
François Civil
Nobody Wants the Night is about the relentless icy landscape that separates and draws these two women together during the long, tense wait for the man they both love in such different ways.
Director:
Isabel Coixet
Stars:
Juliette Binoche,
Rinko Kikuchi,
Gabriel Byrne
A tale of conflict and danger set in present day Naples. Like a modern Antigone, a social worker on the frontline of the daily war against criminal mentality is confronted with a moral ... See full summary »
Director:
Leonardo di Costanzo
Stars:
Raffaella Giordano,
Valentina Vannino,
Martina Abbate
I've seen it as a part of Italian Cinema Festival in Lisbon, the director was there. To the end I wondered how this relatively young man could make it - bring a spectator in the intersection of sorrow, enchantment and tension and keep him there the whole film.
There was a lot of wondering in general - during and after, - a lot of associations and interpretations. The film keeps you very alive in spite of difficult theme, awaken, wanting something from the characters, wanting to be like the characters, asking questions, enjoying slow beautiful shots, colors, landscapes, soundtrack, actresses. Remembering other roles of Juliette Binoche as in "Three colors: Blue" and "Paris, je t'aime", other astonishingly beautiful Italian films like "Stealing beauty". Wishing it to resolute and stop and to continue after titles.
J.S. Foer said "humorous is the only way to tell a sad story". "L 'attesa" with very convincing vitality states that the only way to tell a sad story is beautiful.
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I've seen it as a part of Italian Cinema Festival in Lisbon, the director was there. To the end I wondered how this relatively young man could make it - bring a spectator in the intersection of sorrow, enchantment and tension and keep him there the whole film.
There was a lot of wondering in general - during and after, - a lot of associations and interpretations. The film keeps you very alive in spite of difficult theme, awaken, wanting something from the characters, wanting to be like the characters, asking questions, enjoying slow beautiful shots, colors, landscapes, soundtrack, actresses. Remembering other roles of Juliette Binoche as in "Three colors: Blue" and "Paris, je t'aime", other astonishingly beautiful Italian films like "Stealing beauty". Wishing it to resolute and stop and to continue after titles.
J.S. Foer said "humorous is the only way to tell a sad story". "L 'attesa" with very convincing vitality states that the only way to tell a sad story is beautiful.