Set in France during the mid-1970s, Vanessa, a former dancer, and her husband Roland, an American writer, travel the country together. They seem to be growing apart, but when they linger in one quiet, seaside town they begin to draw close to some of its more vibrant inhabitants, such as a local bar/café-keeper and a hotel owner.Written by
Cinematographer Christian Berger said he will be employing mostly natural light for By the Sea (2015), using the 'Cine Reflect Lighting System'(CRLS) he developed together with Christian Bartenbach, an Austrian pioneer and expert on innovative light solutions. The lighting system 'CRLS' channels existing light using a series of reflectors that create a more natural lighting and at the same time a less distracting working environment: "It changes the method of working on set for the director and the actors, and in this film enhances the period and atmosphere." Berger already employed and perfected the 'CRLS' in some of his previous work including his Academy Award-nominated cinematography for Michael Haneke's The White Ribbon (2009). See more »
When the couple arrive they carry in lots and lots of luggage and yet they drove a car with a small trunk. See more »
Malta is beautiful, and so is Angelina. The story--not so much.
"If you really love someone, you want more for them than you want for yourself. Do you understand?" Michel (Niels Arestrup)
By the Sea nobly tries to explicate the above quote by the wise bar keep, Michel. Vanessa (Angelina Jolie Pitt) and Roland (Brad Pitt) are visiting the central-casting beautiful Malta to work on their marriage, albeit through the media of drink and voyeurism. It's the '70's and they're celebrities, he an unproductive writer and she a retired dancer.
They're not Burton and Taylor, and the film lacks the passion for any imitation of that famous duo. What it does have are a stunning production design and incomparably romantic location. The first half of the film labors over the small parts of their life—he places her large frame glasses upright because she puts them glass-side down; she digs him about his lack of writing and constant drinking.
However, once the newly-married couple, Lea (Melanie Laurent) and Francois (Melvil Poupaud) arrives, the story gets energy and more eye candy as Brangelina look through a peep hole at the couple's sexual antics. Apparently, this is all that is needed to rekindle the marriage of the older couple.
Well, more action is to come with the big reveal, not much of a revelation I must say. The disconcerting part of that not-so-mysterious surprise is the straight-forward explanation, hardly elegant, a bit too prosaic for a film that regularly intercuts with symbols, e.g., a fisherman in his boat, forcing you to think of the figurative implications and then unnecessarily explicating it.
Although Vanessa is a beauty whom the camera loves and who seems to preen for every shot, I can't help but think Angelina as writer and director has framed a character much like herself. That narcissism gets boring quickly. The prominence of Jane Birkin and Serge Gainsbourg's Jane B. on the soundtrack reinforces Jolie Pitt's infatuation with herself.
Like me you'll be booking passage to Malta soon, but you're unlikely to take away from this film any hints about saving your marriage or finding places in the Oscar nominations for this mediocre work(except, of course, for cinematography!).
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