Set in 1915 rural China, The Red House is the story of a 25 year old prostitute, Fangfang, and her struggle to save enough of her earnings to buy back her contract and her freedom. The sudden arrival of a 6 year old child, Amei, being sold...
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Director:
Writer:
Stars:
Awards:
- 4 wins & 12 nominations.
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Review:
Photos and Videos
Cast
| Felix Fang | ... |
Fangfang
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| Leann Lei | ... |
Mama Yan
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Makayla Gatmaitan | ... |
Amei
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| Peggy Lu | ... |
Mama Li
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| Erika Maki | ... |
Amei's mother
(as Mika Santoh)
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Larry Wang Parrish | ... |
Amei's father
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| Chen Chen Julian | ... |
Ling
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| James Gan | ... |
Hua
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| Steve Huang | ... |
Wong
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| Lillian Lam | ... |
Mama Lin
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| Shigeru Mitani | ... |
Chong
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Jack Jeong | ... |
Customer #1
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Angela Chung | ... |
Woman #1
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Christina Wang | ... |
Woman #2
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Amy Shu | ... |
Woman #3
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Directed by
| Jiaqi Lin | ||
Written by
| Jiaqi Lin | ... | (writer) |
Produced by
| Larry Kaster | ... | producer |
Music by
| Charles Bernstein | ... | (music by) |
Cinematography by
| Donald M. Morgan | ||
Editing by
| Michael Derek Bohusz | ||
Editorial Department
| Kevin O'Connor | ... | colorist |
| Lana Wolverton | ... | video post-production |
Production Design by
| Michael Paul Clausen | ||
Art Direction by
| Maya Bradley | ||
Costume Design by
| Laura Cristina Ortiz | ||
Makeup Department
| Gabriela Banda | ... | key makeup artist |
| Cassie Lyons | ... | 2nd Key Makeup Artist |
| Lauren Wilde | ... | key hair stylist / special makeup effects artist |
Production Management
| Kimberly Holmes-Lamar | ... | production manager / unit production manager |
Second Unit Director or Assistant Director
| Graeme Finlayson | ... | assistant director / first assistant director |
| Jacolyn Holmes | ... | second assistant director |
Art Department
| Steven Fengyuan | ... | on set dresser |
| Shannon Lee Fitzgerald | ... | property master |
| Patrick Johnson | ... | set dresser |
| Melissa Pellico | ... | on set dresser |
| Deguie Sanabria | ... | set dresser |
| Jake Torossian | ... | key leadman |
Sound Department
| Alrick Bainton | ... | boom operator |
| Ethan Beigel | ... | re-recording mixer |
| Cary Clark | ... | sound editor |
| Stephen Halbert | ... | sound mixer |
| Christopher Peters | ... | boom operator |
Camera and Electrical Department
| Leila Battersby | ... | best boy grip |
| Lahai Baxter | ... | grip |
| Gerard Burkhardt | ... | still photographer |
| Juan Cuervas | ... | grip |
| Ricardo Jacques Gale | ... | b camera operator (as Ricardo Gale) |
| Jim Gavin | ... | first assistant camera: a camera |
| Joe Gonzalez | ... | electrician |
| Ricky Harris | ... | grip |
| Juan Pablo Jara | ... | assistant camera |
| Randy Lewis | ... | best boy electric |
| Eric Munk | ... | electrician |
| Rob Padilla | ... | grip |
| Noah Pankow | ... | camera operator: "a" camera |
| Rick Perez | ... | key grip |
| Keith Roverud | ... | gaffer |
| James Sprattley | ... | first assistant camera: a camera |
| Jonathan Stromberg | ... | second assistant camera |
| Peter Switzer | ... | still photographer |
| Matt Turve | ... | electrician |
| T.J. Yoshizaki | ... | electrician |
Costume and Wardrobe Department
| Kimberly Clark | ... | wardrobe assistant |
| Yang Jin | ... | wardrobe assistant |
| Christopher Oroza | ... | assistant costume designer |
| Joyce Tom | ... | costumer |
| Sandra Waesche | ... | speciality costumer |
Location Management
| Ed Lippman | ... | location manager |
Music Department
| Karen Han | ... | erhu |
Script and Continuity Department
| Aina Feng | ... | script supervisor |
Transportation Department
| Patrick Johnson | ... | driver |
| Tommy Nierman | ... | driver |
| Jake Torossian | ... | driver |
Additional Crew
| Aaron A. Akins Jr. | ... | construction coordinator (as Andy Akins) |
| Alrick Bainton | ... | production assistant |
| Marty Carlin | ... | studio teacher |
| Gavin Carlton | ... | title design |
| Ginny Cheung | ... | set production assistant |
| Carla Coleman | ... | craft service |
| Simon Drivdal | ... | set production assistant |
| Michael D. Easley | ... | key set pa |
| Jameela Hice | ... | set production assistant |
| Kenny Sanford | ... | construction coordinator |
| Lori Thompson | ... | office production assistant |
| Yufei Skylar Zhang | ... | set production assistant (as Skyler Zang) |
| Kate Zimmerman | ... | production assistant |
Thanks
| Bruce Berke | ... | the producers wish to thank |
| Lydia Cedrone | ... | the director wishes to thank |
| Cary Clayton | ... | the producers wish to thank |
| Don Djomeh | ... | the producers wish to thank |
| David Dodson | ... | the producers wish to thank |
| Shaoyin Jiang | ... | very special thanks |
| Xiaoyu Lin | ... | the director wishes to thank |
| Zhenyun Lin | ... | very special thanks |
| Zhihong Lin | ... | the director wishes to thank |
| Greg Marks | ... | the director wishes to thank |
| Gilbert McDonald | ... | the director wishes to thank |
| David Newman | ... | the director wishes to thank |
| James Rowe | ... | the director wishes to thank |
| Carlos Sandoval | ... | the producers wish to thank |
| Andrew Shearer | ... | the director wishes to thank |
| Nick Sivakumaran | ... | the director wishes to thank |
| Zack Stoff | ... | the director wishes to thank |
| Nils Taylor | ... | the director wishes to thank |
| Igor Torgeson | ... | the director wishes to thank |
| Tengxiong Wei | ... | the director wishes to thank |
Production Companies
Distributors
Special Effects
Other Companies
- Acey/Dcey Equipment Company (grip and lighting equipment)
- Acey/Dcey Equipment Company (this film could not have been made without the generous support of)
- Eastman Kodak (film)
- Eastman Kodak (this film could not have been made without the generous support of)
- Executive Assurance (security)
- FilmL.A. (film permits)
- FotoKem (HD dailies telecine transfer)
- FotoKem (film processing)
- High Five Audio (post-production sound services)
- J.L. Fisher (camera dollies)
- J.L. Fisher (this film could not have been made without the generous support of)
- Panavision (camera equipment provided by)
- Panavision (this film could not have been made without the generous support of)
- Wells Fargo Insurance Services (insurance)
Storyline
| Plot Summary |
Set in 1915 rural China, The Red House is the story of a 25 year old prostitute, Fangfang, and her struggle to save enough of her earnings to buy back her contract and her freedom. The sudden arrival of a 6 year old child, Amei, being sold to the Red House by her desperate parents soon changes things. The brothel's madam, Mama Yan, puts Fangfang in charge of Amei's training, including the painful ritual of binding her feet to keep them small. Fangfang, who became a prostitute in very much the same way, soon realizes she cannot let it continue, and decides to use her savings to buy Amei's contract and her freedom - something she will now never have. Written by Anonymous |
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| Parents Guide | Add content advisory for parents » |
Additional Details
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