A girl with few real prospects joins a gang, reinventing herself and gaining a sense of self confidence in the process. However, she soon finds that this new life does not necessarily make h... Read allA girl with few real prospects joins a gang, reinventing herself and gaining a sense of self confidence in the process. However, she soon finds that this new life does not necessarily make her any happier.A girl with few real prospects joins a gang, reinventing herself and gaining a sense of self confidence in the process. However, she soon finds that this new life does not necessarily make her any happier.
- Awards
- 12 wins & 22 nominations
Mariétou Touré
- Fily
- (as Marietou Toure)
Aurélie Vérillon
- La CPE
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe most daunting task for the film was to obtain the rights to the Rihanna song Diamonds, written by Sia. The sequence featuring the song, where the girls lip sync to the lyrics, was shot first before Céline Sciamma obtained the rights. Rihanna and Sia gave them the authorization once they had seen the sequence dedicated to the song, for a minimal fee.
- GoofsAt the very beginning of the movie, the running girl of the red team wearing number 6 is someone else than our main actress Mariam who appears later wearing number 6 as well. We can see her face clearly once she takes of her helmet when the match is over.
- ConnectionsFeatured in Mark Kermode's Secrets of Cinema: Coming of Age (2018)
- SoundtracksDiamonds
Performed by Rihanna
Written by Sia (as Furler), Tor Erik Hermansen (as Hermansen), Mikkel Storleer Eriksen (as Eriksen), Benny Blanco (as Levin)
© 2012 - EMI Music Publishing Ltd. Matza Ballzack Music, Where Da Kasz At? (BMI) administered by Kobalt Music Group Ltd.
(p) 2012 The Island Def Jam Music Group
Courtesy of EMI Music Publishing France, Matza Ballzack Music, Where Da Kasz At? & Univeral Music Vision
All rights reserved
Produced by Benny Blanco (uncredited), Kuk Harrell (uncredited), Mikkel Storleer Eriksen (uncredited) and Tor Erik Hermansen (uncredited)
Featured review
"I told myself that was a perfect moment. And I'd never forget it."
It's with such a feathery touch that Céline Sciamma takes us down the path of how quickly girlhood slips away, probably under any circumstances, but especially growing up in the projects on the outskirts of Paris. There are some incredibly natural performances here, especially the one from Karidja Touré, who plays the 16-year-old at the heart of this film. We see moments in her life that are playful and pure childhood, but eventually we also come to understand her situation, dealing with an abusive brother and being called upon to help her mother clean hotel rooms, her schoolwork suffering in the process. The moment she's told she can't proceed on to high school like everyone else because of her grades and because she's already repeated a level, it's like we start watching her gradually fall through the cracks.
The young woman meets a trio of friends who offer great camaraderie (the scenes of them singing and dancing to Rihanna and J. Dash are wonderful), but we also see her violently confronting rival gangs of girls, trying to handle her burgeoning sexuality in a neighborhood quick to label her, and eventually being groomed by a drug dealer. The inherent sadness in this story and all of the interpersonal relationships are handled with such a deft touch by Sciamma, which makes the film build in power over its second half. There is such humanism here, though the film never becomes cloying or loses its integrity. A near miss for an even higher rating.
It's with such a feathery touch that Céline Sciamma takes us down the path of how quickly girlhood slips away, probably under any circumstances, but especially growing up in the projects on the outskirts of Paris. There are some incredibly natural performances here, especially the one from Karidja Touré, who plays the 16-year-old at the heart of this film. We see moments in her life that are playful and pure childhood, but eventually we also come to understand her situation, dealing with an abusive brother and being called upon to help her mother clean hotel rooms, her schoolwork suffering in the process. The moment she's told she can't proceed on to high school like everyone else because of her grades and because she's already repeated a level, it's like we start watching her gradually fall through the cracks.
The young woman meets a trio of friends who offer great camaraderie (the scenes of them singing and dancing to Rihanna and J. Dash are wonderful), but we also see her violently confronting rival gangs of girls, trying to handle her burgeoning sexuality in a neighborhood quick to label her, and eventually being groomed by a drug dealer. The inherent sadness in this story and all of the interpersonal relationships are handled with such a deft touch by Sciamma, which makes the film build in power over its second half. There is such humanism here, though the film never becomes cloying or loses its integrity. A near miss for an even higher rating.
- gbill-74877
- Aug 18, 2024
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Details
Box office
- Budget
- €2,966,000 (estimated)
- Gross US & Canada
- $60,765
- Opening weekend US & Canada
- $7,667
- Feb 1, 2015
- Gross worldwide
- $1,862,990
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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