When attending their son's college graduation, a couple reignite the spark in their relationship. But the complicated fact is they're divorced and he's remarried.
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
Director:
John Wells
Stars:
Meryl Streep,
Dermot Mulroney,
Julia Roberts
Julia Child's story of her start in the cooking profession is intertwined with blogger Julie Powell's 2002 challenge to cook all the recipes in Child's first book.
A successful, ego-maniacal architect who has spent a lifetime bullying his wife, employees and mistresses wants to make peace as his life approaches its final act.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Director:
Phyllida Lloyd
Stars:
Meryl Streep,
Jim Broadbent,
Richard E. Grant
In 1912 London, a young working mother is galvanized into radical political activism supporting the right for women to vote, and is willing to meet violence with violence to achieve this end.
Director:
Sarah Gavron
Stars:
Carey Mulligan,
Anne-Marie Duff,
Helena Bonham Carter
Inspired by Mark Twain's morality tale 'The Mysterious Stranger,' 'Another Telepathic Thing' is a prismatic and complex dance-theater parable. At once cynical and spiritual, the work ... See full summary »
A woman named Linda leaves her family to pursue her dream of being a rock star. And she hasn't achieved the notoriety she hoped for. Her ex-husband calls her to tell her that her daughter suffered a breakdown because her husband left her. She goes back to Indianapolis. But her daughter doesn't exactly welcome her with open arms. But she stays and tries. And her sons also don't welcome her warmly.Written by
rcs0411@yahoo.com
This film marked the third occasion where Mamie Gummer and real-life mother Meryl Streep worked together on-screen. The previous two were in Sodbrennen (1986) and Evening (2007). See more »
Goofs
When Pete is testing Ricki on the PLU codes for various items, she incorrectly states that organic milk is "94011" which is the code for organic bananas. The code she states for bananas is incorrect as well. See more »
Quotes
Greg:
It doesn't matter if kids love you or not. It's not their *job* to love you. It's your job to love them.
See more »
Crazy Credits
The credits are accompanied by a clip of Ricki and the Flash singing "Cold One" at the wedding. See more »
Good to Be on the Roard Back Home Again
Written by Tajinder Singh
Performed by Cornershop
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing and Courtesy of Wiiija Records
By arrangement with Beggars Group Media See more »
Potentially delicious teaming of director Jonathan Demme and screenwriter Diablo Cody with star Meryl Streep results in a surprising washout. Middle-aged bar band singer takes time off from her day-job as a cashier in southern California and returns to Indianapolis and the (now embittered) family she left behind for rock 'n roll success. Cody's writing is so facetious and 'cute' (always with a wink to the audience) that her script--already heavy with amateurish exposition--defeats the cast early on; before we can even adjust to the characters, they've been shaped by their clothes and their quips. Demme is eager to please, but his timing is perpetually off. Scenes that should work don't, while other sequences (such as a family reunion dinner that turns ugly) ramble on without a point. Ricki's family all take turns standing on a soapbox, blowing off steam. Cody can't introduce anyone to us without there being an agenda, and Demme underlines her every superficial point with close-ups that don't reveal anything (reality TV has more convincing confrontations than what we get here). Eternally misjudged and misshapen. We have no idea what Ricki has gone through in her career, what triumphs she may have had; Cody is too intent on giving us Streep as a Republican rocker (another clothesline to string conflicts on), backed by a troupe of musicians who are only there to hug her. The actress is clearly better than her material and fakes her way through. *1/2 from ****
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Potentially delicious teaming of director Jonathan Demme and screenwriter Diablo Cody with star Meryl Streep results in a surprising washout. Middle-aged bar band singer takes time off from her day-job as a cashier in southern California and returns to Indianapolis and the (now embittered) family she left behind for rock 'n roll success. Cody's writing is so facetious and 'cute' (always with a wink to the audience) that her script--already heavy with amateurish exposition--defeats the cast early on; before we can even adjust to the characters, they've been shaped by their clothes and their quips. Demme is eager to please, but his timing is perpetually off. Scenes that should work don't, while other sequences (such as a family reunion dinner that turns ugly) ramble on without a point. Ricki's family all take turns standing on a soapbox, blowing off steam. Cody can't introduce anyone to us without there being an agenda, and Demme underlines her every superficial point with close-ups that don't reveal anything (reality TV has more convincing confrontations than what we get here). Eternally misjudged and misshapen. We have no idea what Ricki has gone through in her career, what triumphs she may have had; Cody is too intent on giving us Streep as a Republican rocker (another clothesline to string conflicts on), backed by a troupe of musicians who are only there to hug her. The actress is clearly better than her material and fakes her way through. *1/2 from ****