The Wave

Norwegian movies occasionally bring sleeper hit like the Troll Hunter, the wintry location is just perfect for things unknown. The Wave, while it may be strange to have on a mountain, is a good mix of visual cinematography, nice use of attractive vistas and simple yet engaging characters. The first act might feel a tad slow but the entirety is finely tuned compartmentalized sequences that fit together as good disaster movie.

The focus is mainly on a family of four on their last day in normally quaint city of Geiranger. Kritian (Kristoffer Joner) as the father is a geologist who admittedly too fixated on his job. Before they leave he spots some anomalies of the impending catastrophe. It's a predictable but still decent premise and while it starts rather slow, the time invested is used to familiarize audience with the characters and also the tourist attraction.

The Wave uses its setting very nicely, it capitalizes on the actual hotel and mountain, partially and understandably for promotional purpose. It's visually pleasing and involving scenery, better than most Hollywood attempts on the genre. For example, San Andreas doesn't feel as though viewer is engaged aside from excessive CG. This movie cleverly captures the essence of the place well.

It doesn't mean that there's a lack of special effect here, it's just used more appropriately. For those wanting a cool spectacle of force of nature, you won't be disappointed. Better yet, there are few scenes which really push the theatrical effect of human drama and graphical thriller so precisely, it's impressively daunting. Furthermore, audience would mostly likely relate to the family's ordeal more than investing on random calamity displays.

The Wave is a disaster movie done right, nearly every aspect of it come crashing down just at the right spot and time.