Ian Fletcher, formerly the Head of the Olympic Deliverance Commission, has taken up the position of Head of Values at the BBC.
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3   2   1  
2017   2015   2014  
2 wins & 3 nominations. See more awards »

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Cast

Series cast summary:
Hugh Bonneville ...  Ian Fletcher 14 episodes, 2014-2017
Monica Dolan ...  Tracey Pritchard 14 episodes, 2014-2017
Jessica Hynes ...  Siobhan Sharpe 14 episodes, 2014-2017
Sarah Parish ...  Anna Rampton 14 episodes, 2014-2017
Hugh Skinner ...  Will Humphries 14 episodes, 2014-2017
Nina Sosanya ...  Lucy Freeman 14 episodes, 2014-2017
Jason Watkins ...  Simon Harwood 14 episodes, 2014-2017
Jonathan Bailey ...  Jack Patterson 14 episodes, 2014-2017
Ophelia Lovibond ...  Izzy Gould 14 episodes, 2014-2017
David Tennant ...  Narrator 14 episodes, 2014-2017
David Westhead ...  Neil Reid 13 episodes, 2014-2017
Ivan Gonzalez Ivan Gonzalez ...  Jerry Guildencrantz 13 episodes, 2014-2017
Rufus Jones ...  David Wilkes 13 episodes, 2014-2017
Max Olesker Max Olesker ...  Ben Rosenstern 13 episodes, 2014-2017
Daniel Ings ...  Matt Taverner 8 episodes, 2014-2017
Alex Beckett Alex Beckett ...  Barney Lumsden 7 episodes, 2014-2017
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Storyline

Ian Fletcher, formerly the Head of the Olympic Deliverance Commission, has taken up the position of Head of Values at the BBC.

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Genres:

Comedy

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Details

Country:

UK

Language:

English

Release Date:

19 March 2014 (UK) See more »

Also Known As:

BBC fixar det See more »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

16:9 HD
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Did You Know?

Trivia

The W1A theme tune was originally used for Johnny Morris' series "Animal Magic". See more »

Connections

Referenced in Top Gear: Episode #21.1 (2014) See more »

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User Reviews

 
Funny in places but we've been here before
27 May 2018 | by nebilcs-168-165298See all my reviews

I watched the first few episodes of the first season and giggled appropriately. Goodness knows the BBC makes a good target for this kind of satire and is a good proxy for many similar corporate settings. But after a while fatigue set in. Compared with Twenty Twelve which was consistently laugh-out-loud funny, too many characters in W1A share similar lines and "yes/no/cool" affectations. But what really fails is the mockumentary angle. It was tenuous in Twenty Twelve but just about kept within the lines as an unlikely but feasible documentary. W1A would have been better pitched as a straightforward satirical comedy rather than having a narration constantly remind the viewer that we are supposed to regard this as a reality programme.


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