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Cars 3 (2017)

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2:08 | Trailer
Lightning McQueen sets out to prove to a new generation of racers that he's still the best race car in the world.

Director:

Brian Fee

Writers:

Brian Fee (original story by), Ben Queen (original story by) | 6 more credits »
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Popularity
2,202 ( 367)

Gear Up for 'Cars 3'

Get ready for Cars 3 with fun, behind-the-scenes facts and check out our salute to the Pixar side characters who don't need a lot of screen time to make a huge impact.

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Cast

Cast overview, first billed only:
Owen Wilson ... Lightning McQueen (voice)
Cristela Alonzo ... Cruz Ramirez (voice)
Chris Cooper ... Smokey (voice)
Nathan Fillion ... Sterling (voice)
Larry the Cable Guy ... Mater (voice)
Armie Hammer ... Jackson Storm (voice)
Ray Magliozzi Ray Magliozzi ... Dusty (voice)
Tony Shalhoub ... Luigi (voice)
Bonnie Hunt ... Sally (voice)
Lea DeLaria ... Miss Fritter (voice)
Kerry Washington ... Natalie Certain (voice)
Bob Costas ... Bob Cutlass (voice)
Margo Martindale ... Louise Nash (voice)
Darrell Waltrip ... Darrell Cartrip (voice)
Isiah Whitlock Jr. ... River Scott (voice)
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Storyline

Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician with her own plan to win, inspiration from the late Fabulous Hudson Hornet, and a few unexpected turns. Proving that #95 isn't through yet will test the heart of a champion on Piston Cup Racing's biggest stage! Written by Pixar

Plot Summary | Plot Synopsis

Taglines:

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Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

USA

Language:

English

Release Date:

16 June 2017 (USA) See more »

Also Known As:

Cars 3 See more »

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Box Office

Budget:

$175,000,000 (estimated)

Opening Weekend USA:

$53,688,680, 18 June 2017

Gross USA:

$152,901,115

Cumulative Worldwide Gross:

$383,930,656
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film features more than sixty-five different individual racers, more than the previous films combined. Cars (2006) had thirty-six racers, and Cars 2 (2011) had eleven. See more »

Goofs

During the scene where Mater has sneezed and his tow cable comes undone, he says to, "watch your step". Since they're cars, they do not step like humans do. This therefore could reveal that cars killed humans (since they can talk and blink like humans can). See more »

Quotes

Smokey Yunick: [to McQueen] Hud saw something in you that you don't even see in yourself.
See more »

Crazy Credits

"This film is dedicated to our families. Your love and support made this film possible." See more »

Alternate Versions

The 3D version bears a different version of the Pixar logo than the 2D version, with the Pixar lamp hopping toward the camera instead of coming in from the right side. See more »


Soundtracks

Truckaroo
Written, Performed and Produced by Brad Paisley
Recorded by Kendal Marcy
Mixed by Luke Wooten
Brad Paisley appears courtesy of Arista Nashville
See more »

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User Reviews

 
entertaining, moving, has a good moral for children, and a quantum leap up from Cars 2
15 June 2017 | by Quinoa1984See all my reviews

Aside from what should be obvious to most of those who are over the age of 5 - merchandising, merchandising! I can hear Yogurt from Spaceballs say (which this movie does try to sort of, kind of, almost satirize but doesn't quite get there, and I'll get to that later) - I wondered going in why Pixar would make Cars 3. The first Cars, one of those unlikely passion projects for John Lasseter, was fine though not remarkable unless one didn't mind getting their Paul Newman fix (last movie too!) if it meant wading through the "comedy" of Larry the Cable Guy, and the sequel was one of the most mediocre films of the past decade, from anywhere (again, Larry the Cable Guy as the protagonist). But then I thought that this was exactly why it would be interesting to see the movie - what would the Pixar creative team come up on this one. What they came up with was a good movie, no more but no less either.

Aside from a far smaller quotent of scenes with that grating Mater character (I'll get off it now but, really, who really was hungering for more of Mater in their movie theater in 2017?), this is another example like Monsters University where the filmmakers are favoring a strong message over having a simple villain. And, curiously enough, while both movies do feature Nathan Fillion as an almost/would-be antagonist, it's not about that (it can't be coincidence that in both movies he voices the show-off, cocksure figure, right? - actually Armie Hammer is more-so that character here, but nevermind), I suspect that the message was what was key for those in the story room. What could make Lightning McQueen interesting again after all these years? Was he even interesting to begin with? It's not even him so much as it is what a character's arc is, and what Pixar taps in pretty well here is the idea of moving on and what education means.

In the story of Cars 3, McQueen gets into a terrible accident as the first turning point - one remembers that from the surreal teaser trailer where it made it look as though this might be the Saving Private Ryan of Cars movies or something - and though he wants to get back into racing there's constant trepidation, about his age, about his ability, about everyone else out on the track... and then comes, ironically enough, his trainer (thanks sponsor Fillion!), with a good voice job by Cristela Alonzo by the way, who of course didn't grow up as a, uh, small car wanting to become a trainer of other cars, she wanted to be race car herself! But she lacked the confidence and the wherewithal to keep at it (those who can't do teach sort of thing). Matter of fact, that may be the whole point of the movie, but it's also saying that isn't necessarily a bad thing - if you want it, it can be great.

It reminds me too of what happens in other professions like in the movies where actors find they aren't getting the good roles or aren't being challenged enough so they decide to direct, and it takes on a whole new feeling and passion. All of this noted, Cars 3 doesn't exactly make this some big surprise, it's actually a predictable story that, at least for me and I'm sure many others, one will see coming a mile away as far as whether or not Lightning McQueen is going to do that first race (really the only question is how much or how little will he really race before passing on the baton). But Pixar was sneakily impressive here with how it brought real emotion, or as much as can happen with these cars, and Owen Wilson and Alonzo have a good pairing in the film that has an arc and develops over the course of the story.

There's a little shakier ground that Pixar tip-toes up to as far as what it means to have, say, branding and merchandising - the Fillion "Billionaire" car Sterling (I wondered if he had ever wanted to race or as a tiny car wanted to be a, uh, Billionaire car, however they can spend it) looks at Lightning as a vehicle, no pun intended, for money-making, that his admiration for McQueen is for what he is *valued* as a commodity, as a presence or a thing, as opposed to his ability (which goes a way to explain why he's not impressed when he begs Sterling that he can do one more race). But I'm not sure Pixar developed that side of it enough, or perhaps they could only do so much satire in a G-rated movie for all audiences. It may be enough, though a little more could've gone a longer way to make a decent movie into one of their REALLY good sequels like Monsters U or Toy Story 3.

At the end of it all though, Cars 3 is entertaining, occasionally quite funny (some puns and jokes hit better than others), and eschews typical villainy or the usual antagonists and embraces more like existential questions, which is probably more than a kid-friendly blockbuster like Cars 3 of all things had to concern itself with. I give Pixar points for that, and if seems like something that had... effort put into it, at least up to a point. Not to mention, last but not least, what seems to be a fitting coincidence (or it may be just what Lasseter intended) that a first-time director was promoted up to do this movie within Pixar, Brian Fee. It was time to get in the race, I suppose, and he showed up to do well.


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