A VIP private party in a tropical island surrounded by rainforest. The invitation, a small video camera (flipcam) that you have to wear around your neck at all times. The cameras record ... See full summary »
A dying mother, Sarah, tells her last wish to her eldest son, Drew, that he take his younger brother, Will, to the place they were born. Despite tragic family history, hope gives promise to the future.
Spencer T. Folmar
Mike Case is a low-rent private detective who works out of his car and advertises on Craigslist. When approached by the wealthy socialite Victoria Billows to find her missing husband, Mike ... See full summary »
A meteor crashes into a quiet lake in the remote countryside and awakens a centuries-old beast, who tears through a nearby town and its inhabitants, who must fight for their lives and stop ... See full summary »
Michelle Simone Miller,
There are only 3 words spoken in the entire film. See more »
The antagonist sits out in the open on a day cold enough to keep an frozen lake from melting without protection for his face. Frostbite would have set in with 30 minutes to 1 hour and made the scenario he was trying to stage implausible to anyone who examined the scene. See more »
A woman (Lauren Mae Shafer) struggles for survival beneath a frozen lake while a metrosexual killer (David G. B. Brown) stalks her from the surface and we slowly find out they are not strangers.
The mad genius behind this film is writer-producer-director Douglas Schulze, who has been a rising force in the world of indie horror. But although we tend to associate a film mostly with the director, Jonathan D'Ambrosio really deserves as much credit for "Dark Below", with his serving as co-writer, editor and art / production design. His fingerprints are all over this one.
The film has a slim cast, with the most notable name being Veronica Cartwright. The lead, Lauren Mae Shafer, may be building a reputation among horror fans with her roles in "Mimesis" (also from Douglas Schulze and co-starring Brown) and "Secrets in the Walls". A few others show up in flashbacks, but are really unimportant. Shafer virtually carries the entire film on her shoulders.
The creators make a very bold decision going for the complete lack of dialogue, which makes it almost like watching a symphony rather than a film – this, in turn, makes it very much a showcase for composer David Bateman. The modern silent film, as well as the plot of using a woman's expert swimming abilities against her, are absolutely original. Originality is rare in any genre, but especially in horror. (Can we stop making zombie movies yet?)
If any criticism could be thrown at the film, it would be to ask: did it need to be feature-length? Already very short by feature standards, it could have been a longer short film just as effectively. I suppose for marketing purposes, you would prefer to have the feature. Few theaters, at least outside of festivals, screen short films. (Maybe they should.)
All in all, an original and innovative film. It may not appeal to all audiences, but those who want to see something different and who have a little patience (this is not a bloody slasher film) will be rewarded.
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